- BPM
- 136
- Key
- D♭ Major
- Camelot
- 3B
Symphonic Studies, Op. 13 - Appendix: Variation V by Robert Schumann, Maurizio Pollini Song Details
"Symphonic Studies, Op. 13 - Appendix: Variation V" by Robert Schumann, Maurizio Pollini had its release date on January 1, 1984. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Symphonic Studies, Op. 13 - Appendix: Variation V's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Schumann: Piano Concerto; Symphonic Etudes". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphonic Studies, Op. 13 - Appendix: Variation V's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Symphonic Studies, Op. 13 - Appendix: Variation V by Robert Schumann, Maurizio Pollini having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 11%
- Loudness
- -19.262 dB
- Acousticness
- 99%
- Danceability
- 37%
- Energy
- 16%
- Instrumentalness
- 87%
- Liveness
- 13%
- Loudness
- 68%
- Speechiness
- 3%
- Valence
- 16%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | |
 | Triakontameron: XI. Alt Wien | Leopold Godowsky, Marc-André Hamelin | A Major | 0 | 11B | 69 BPM | |
 | Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | |
 | Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | |
 | Orfeo ed Euridice, Wq. 30: Ballet des ombres heureuses (Arr. for Piano by Ignaz Friedman) | Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 128 BPM | |
 | Kinderszenen, Op. 15: XII. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | |
 | 6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | |
 | 4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | |
 | Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM | |
 | Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Gautier Capuçon, Yuja Wang | B♭ Major | 0 | 6B | 167 BPM | |
 | Clara Schumann, Nocturne Op.6 No.2 | Angela Boutros | F♯ Major | 0 | 2B | 134 BPM | |
 | Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | |
 | Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | |
 | Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | |
 | Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | |
 | 6 Moments musicaux, Op. 16: No. 5, Adagio sostenuto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | |
 | Fantasiestücke, Op. 12: 1. Des Abends | Robert Schumann, Arthur Rubinstein | D♭ Major | 0 | 3B | 134 BPM | |
 | Jeux d'enfants, Op. 22: No. 3, La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | |
 | Allegro molto agitato in D Minor | Fanny Mendelssohn, Heather Schmidt | D Major | 1 | 10B | 111 BPM | |
 | 8 Nocturnes, Op. 368: No. 2, Andantino animato | Carl Czerny, Roberte Mamou | E♭ Major | 0 | 5B | 169 BPM | |
 | Kinderszenen, Op. 15: Träumerei (Arr. Lewin for Guitar) | Robert Schumann, Miloš Karadaglić | D Major | 0 | 10B | 81 BPM | |
 | Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction | Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest | D Major | 1 | 10B | 99 BPM |
- ISRC
- DEF058330211
- Label
- L-M Records/RCA Records