"Koto 3" by 山屋 清, 米川敏子, 三橋貴風, 佐藤要征 had its release date on November 25, 1976. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in 山屋 清's "Kyo" album is number 3 out of 10. On top of that, Japan appears to be the country where this track was created. In terms of popularity, Koto 3 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Koto 3 by 山屋 清, 米川敏子, 三橋貴風, 佐藤要征 to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trapeze | Noël McGhie & Space Spies | D Major | 6 | 10B | 114 BPM | ||
| Coral Eyes | Shigeharu Mukai | C Major | 7 | 8B | 136 BPM | ||
| 椰子の実 | 藤舎推峰, 山屋 清 | A Minor | 2 | 8A | 84 BPM | ||
| Sandworms | David Matthews | C Major | 4 | 8B | 169 BPM | ||
| Flying Carpet Ride | Second Direction | D Minor | 6 | 7A | 101 BPM | ||
| Landing On The Surface Of Venus (金星軟着陸) | Yuji Ohno | G Minor | 8 | 6A | 116 BPM | ||
| Ain't It the Truth | Catalyst | B♭ Minor | 6 | 3A | 109 BPM | ||
| The Children's Corner: The Doctor Gradus ad Parnassum | 山屋 清, 中川善雄 | F Major | 6 | 7B | 119 BPM | ||
| Pop Avenue - Remastered | Janko Nilovic | A♭ Minor | 6 | 1A | 84 BPM | ||
| Kariboshi Kiri-Uta | 山屋 清 | C Minor | 9 | 5A | 133 BPM | ||
| Marobashi-Sugagaki | 山屋 清, 三橋貴風 | B Minor | 2 | 10A | 135 BPM | ||
| Deadline | Alan Hawkshaw, Brian Bennett | C Major | 6 | 8B | 130 BPM | ||
| Treasure Hunter | Jun Fukamachi | B Minor | 8 | 10A | 118 BPM | ||
| Exotica | Roger Webb | E Minor | 5 | 9A | 100 BPM | ||
| Night In N.Y. | Dino Siani | E♭ Major | 7 | 5B | 170 BPM | ||
| Weep | John Carroll Kirby | D♭ Major | 6 | 3B | 164 BPM | ||
| Tension | Rioland, Goldfeder | B Minor | 5 | 10A | 91 BPM | ||
| スナイパーズ・スヌーズ | Masahiko Sato, 稲垣次郎とビッグ・ソウル・メディア | F Major | 7 | 7B | 124 BPM | ||
| 黒田節 | 佐々木久美 | D Major | 5 | 10B | 152 BPM | ||
| Soul Village | Walter Bishop, Jr. | C Minor | 6 | 5A | 133 BPM | ||
| Rainmaker | John Carroll Kirby | F Minor | 5 | 4A | 172 BPM | ||
| The Way We Were | 玉木宏樹とクインテット, 山屋 清 | A Major | 1 | 11B | 140 BPM | ||
| Scramble | 鈴木宏昌 | D Major | 9 | 10B | 118 BPM | ||
| いそしぎ | SHIGEO SEKITO | G Major | 3 | 9B | 97 BPM | ||
| Prairie Road | Pete Jolly | B♭ Minor | 4 | 3A | 98 BPM |