On January 1, 2016, the song "Ice Age: Collision Course End Credits - Soundtrack Edit" was released by John Debney. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in John Debney's "Ice Age: Collision Course (Original Motion Picture Score)" album is number 30 out of 30. On top of that, United States appears to be the country where this track was created. In terms of popularity, Ice Age: Collision Course End Credits - Soundtrack Edit is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ice Age: Collision Course End Credits - Soundtrack Edit by John Debney to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Darcy's Letter - From "Pride & Prejudice" Soundtrack | Dario Marianelli, English Chamber Orchestra, Benjamin Wallfisch | C Minor | 0 | 5A | 139 BPM | ||
| No Love | Kris Bowers | C Major | 4 | 8B | 52 BPM | ||
| Water Truce | John Debney | B♭ Major | 1 | 6B | 138 BPM | ||
| Love Theme | Guy Farley | D♭ Major | 0 | 3B | 116 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| Rowing | Jóhann Jóhannsson | G Minor | 3 | 6A | 138 BPM | ||
| The English Patient - From "The English Patient" | Lynda Cochrane, John Debney, Royal Scottish National Orchestra | G Major | 8 | 9B | 46 BPM | ||
| Changes | Alfonso G. Aguilar | C Major | 3 | 8B | 128 BPM | ||
| A Cottage in the Woods - From "Sleeping Beauty"/Score | George Bruns | A♭ Major | 1 | 4B | 120 BPM | ||
| The Hope for Love | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| The Star Shines | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 2 | 8B | 130 BPM | ||
| Anne's Theme | Hagood Hardy | G Major | 1 | 9B | 94 BPM | ||
| Bridges Restaurant | Howard Shore | C Major | 1 | 8B | 131 BPM | ||
| Opening Titles (From The Motion Picture "Love Actually") | Craig Armstrong | C Major | 0 | 8B | 118 BPM | ||
| Mrs. Landingham | W.G. Snuffy Walden | D Major | 1 | 10B | 79 BPM | ||
| Burning Books | Harald Kloser | E Minor | 0 | 9A | 111 BPM | ||
| Eshkeri: Flying Vessel | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 4 | 9B | 83 BPM | ||
| Our Great National Parks | David Schweitzer | D Major | 0 | 10B | 109 BPM | ||
| Returning to the Hundred Acre Wood | Geoff Zanelli, Jon Brion | A Minor | 0 | 8A | 140 BPM | ||
| My Name Is Barbossa | Geoff Zanelli | F Major | 3 | 7B | 89 BPM | ||
| Guitar Lullaby | Mark Mancina | C Major | 0 | 8B | 104 BPM | ||
| Every Dog Has His Day | Julian Nott, Rupert Gregson-Williams, James Michael Dooley, Lorne Balfe, Alastair King | F Major | 1 | 7B | 87 BPM | ||
| Journey Theme | Andrew Lockington | G Minor | 3 | 6A | 106 BPM | ||
| Love And The Hunter | The Chamber Orchestra Of London | C Major | 2 | 8B | 171 BPM | ||
| Opening Titles | Christian Henson | A♭ Major | 2 | 4B | 137 BPM |