Sonata No. 9 in F Minor, Op. 3: III. Largo by Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, David Van Ooijen, Pieter-Jan Belder Song Details

"Sonata No. 9 in F Minor, Op. 3: III. Largo" by Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, David Van Ooijen, Pieter-Jan Belder had its release date on 2010. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Sonata No. 9 in F Minor, Op. 3: III. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 144 out of 336 in Corelli: Complete Edition by Arcangelo Corelli, Musica Amphion, Rémy Baudet, Pieter-Jan Belder. In terms of popularity, Sonata No. 9 in F Minor, Op. 3: III. Largo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Sonata No. 9 in F Minor, Op. 3: III. Largo by Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, David Van Ooijen, Pieter-Jan Belder is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.

Music Key

E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -20.435 dB
Acousticness: 70%
Danceability: 14%
Energy: 5%
Instrumentalness: 38%
Liveness: 10%
Loudness: 66%
Speechiness: 4%
Valence: 8%

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