"O vis aeternitatis - Et sic indumenta ipsius (arr. G. Pedersen for chorus, violin and double bass)" by Hildegard von Bingen, Ingeborg Dalheim, The Norwegian Soloists' Choir, Gjermund Larsen, Bjorn Kjellemyr, Grete Pedersen had its release date on November 19, 2013. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. O vis aeternitatis - Et sic indumenta ipsius (arr. G. Pedersen for chorus, violin and double bass)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Rós: Songs of Christmas". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Sweden. O vis aeternitatis - Et sic indumenta ipsius (arr. G. Pedersen for chorus, violin and double bass) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O vis aeternitatis - Et sic indumenta ipsius (arr. G. Pedersen for chorus, violin and double bass) by Hildegard von Bingen, Ingeborg Dalheim, The Norwegian Soloists' Choir, Gjermund Larsen, Bjorn Kjellemyr, Grete Pedersen having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Betlehems stjärna | Hedvig Eleonora Ungdomskör | E Minor | 1 | 9A | 78 BPM | ||
| Gabriel's Message (Arr. Jim Clements) | Traditional, Bernadette Johns, Owen Rees | B♭ Minor | 1 | 3A | 70 BPM | ||
| Hör tystnaden | Adolf Fredriks kyrkas kammarkör, Karin Backstrom | E Minor | 0 | 9A | 130 BPM | ||
| In the Stillness | Sally Beamish, Ora Singers, Suzi Digby | G Major | 1 | 9B | 90 BPM | ||
| Les Chansons Des Roses: II. Contre Qui, Rose | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 178 BPM | ||
| This Ember Night | Graham Lack, Voces8 | F♯ Major | 0 | 2B | 72 BPM | ||
| L'Enfance du Christ, Op. 25, Deuxième Partie, La Fuite en Egypte: II. L'Adieu des Bergers | Hector Berlioz, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Joseph Moor, La Chapelle Royale | F♯ Major | 1 | 2B | 106 BPM | ||
| The Wise Men and the Star | Oliver Tarney, Lucia Quinault, SANSARA, Tom Herring | B Minor | 0 | 10A | 79 BPM | ||
| Resonemus laudibus | Plainsong, Traditional, The Sixteen, Harry Christophers | C Major | 1 | 8B | 75 BPM | ||
| Alma Redemptoris Mater | Tomás Luis de Victoria, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 107 BPM | ||
| Jesus Christ, the Apple Tree | Elizabeth Poston, Andrew Nethsingha, Choir of St. John's College, Cambridge | C Major | 0 | 8B | 76 BPM | ||
| Heyr, himna smiður | Härlanda Chamber Choir, David Molin | F Minor | 1 | 4A | 71 BPM | ||
| Shen Khar Venakhi | Kitka | D Major | 0 | 10B | 125 BPM | ||
| Glad dig du Kristi brud (O Bride of Christ, Rejoice) [arr. G. Idenstam] | Jacob Regnart, Emma Härdelin, St. Jacob's Chamber Choir, Gunnar Idenstam, Gary Graden | E Minor | 1 | 9A | 61 BPM | ||
| En stjärna gick på himlen fram | Traditional, Karin Lindqvist | A♭ Major | 3 | 4B | 198 BPM | ||
| The Shepherds’ Farewell | Hector Berlioz, Rebecca Baker, Owen Rees | E Major | 0 | 12B | 75 BPM | ||
| Requiem, Op. 48: Agnus Dei | Gabriel Fauré, Lisa Beckley, Nicholas Gedge, Oxford Schola Cantorum, Oxford Camerata, Colm Carey, Jeremy Summerly | F Major | 1 | 7B | 173 BPM | ||
| Silent Night H. 145 - Arr. John Rutter | Franz Xaver Gruber, John Rutter (arranger), Choir of Merton College, Oxford, Benjamin Nicholas | D♭ Major | 1 | 3B | 76 BPM | ||
| An Oíche | Anúna, Michael McGlynn | D Major | 1 | 10B | 125 BPM | ||
| Long Is Our Winter | The Schola Cantorum of St. Peter's in the Loop | G Major | 0 | 9B | 88 BPM | ||
| Tarantella (arr. R. Lislevand for chorus, violin, lute and double bass) | Anonymous, Gjermund Larsen, Rolf Lislevand, Bjorn Kjellemyr | F Major | 0 | 7B | 93 BPM | ||
| Oh, What a Wonder! | Vasyl Barvinsky, Estonian Philharmonic Chamber Choir, Paul Hillier | B♭ Minor | 1 | 3A | 129 BPM | ||
| Lux Aurumque | Eric Whitacre, Lucy Cox, Ora Singers, Suzi Digby | D♭ Minor | 1 | 12A | 142 BPM | ||
| Cantate Domino | Marco Enrico Bossi, Oscars Motettkör, Alf Linder, Torsten Nilsson | E♭ Major | 1 | 5B | 136 BPM | ||
| Världens frälsare kom här | Kraja | B♭ Major | 1 | 6B | 135 BPM |