"To Love's End (From 'Inuyasha') - Orchestral Version" by Bitimi had its release date on January 20, 2024. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. To Love's End (From 'Inuyasha') - Orchestral Version's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 11 in Anime Orchestrated by Bitimi. Based on our statistics, To Love's End (From 'Inuyasha') - Orchestral Version's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of To Love's End (From 'Inuyasha') - Orchestral Version by Bitimi is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 不屈の覚悟 (Solomon ver.) | Fate/Grand Order | D Major | 4 | 10B | 81 BPM | ||
| The Very Very Very Strongest (From 'One Piece') - Epic Version | Bitimi | E Minor | 3 | 9A | 136 BPM | ||
| 傷ついた仲間を助けるため | 藤間 仁 | B Minor | 5 | 10A | 118 BPM | ||
| Con i Cinque Sensi | Bulruk | C Minor | 3 | 5A | 110 BPM | ||
| With Gun & Crucifix | Denny Schneidemesser | D♭ Major | 8 | 3B | 83 BPM | ||
| Solstice | Philipp Klein | D Minor | 4 | 7A | 114 BPM | ||
| Tempest of the Bold | Florews | A♭ Major | 8 | 4B | 100 BPM | ||
| The Elder Scrolls V: Skyrim - Dragonborn | Jared Moreno Luna | E Minor | 2 | 9A | 76 BPM | ||
| Heavy Is The Crown | Melodic Immersion | F Major | 3 | 7B | 140 BPM | ||
| Macedonian Theme | Somatone Interactive | D♭ Minor | 5 | 12A | 155 BPM | ||
| Takt of Heroes, Origin | James Liam Figueroa | D Major | 9 | 10B | 128 BPM | ||
| Gerudo Valley (From 'The Legend of Zelda: Ocarina of Time') | Koji Kondo, Bitimi Music | F♯ Minor | 7 | 11A | 105 BPM | ||
| Branded in White | Yohei Kuriko, MrEpicOSTs | F Minor | 3 | 4A | 67 BPM | ||
| He Who Ignites The Sky | MrEpicOSTs, Aleon Raven | C Major | 7 | 8B | 78 BPM | ||
| Makatao | David Reichelt | A Minor | 7 | 8A | 160 BPM | ||
| Estrenos | Batalladores | D Minor | 3 | 7A | 135 BPM | ||
| Frieren the Slayer | Evan Call | B Minor | 2 | 10A | 110 BPM | ||
| Rise of Fenghuang | Ariel Yznardo | F♯ Major | 3 | 2B | 78 BPM | ||
| Tides of Sorrow | Joachim Tospann, Intervox Music | B♭ Minor | 8 | 3A | 127 BPM | ||
| Dragon Roost Island (From 'The Legend of Zelda: Windwaker') | Kenta Nagata, Hajime Wakai, Toru Minegishi, Koji Kondo, Bitimi Music | G Minor | 5 | 6A | 146 BPM | ||
| [THE SORCERY OF NYMPH CIRCE] SUITE-No.4: TGU | Sawano Hiroyuki | A Minor | 7 | 8A | 160 BPM | ||
| Aerith's Theme ('From Final Fantasy 7') | Bitimi Music | D Minor | 6 | 7A | 107 BPM | ||
| メインテーマ - 戦闘 | 五十嵐聡 | A Minor | 7 | 8A | 160 BPM | ||
| Rigid Majesty | 芳賀敬太, 篠田大介 | B♭ Major | 4 | 6B | 129 BPM | ||
| [Solo-Leveling]SymphonicSuite-Lv.1 | Sawano Hiroyuki | G Minor | 9 | 6A | 131 BPM |