"Lamentations" by Antoine Brumel, Tenebrae, Nigel Short had its release date on April 8, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of When Sleep Comes: Evening Meditations for Voices & Saxophone by Tenebrae, Christian Forshaw, Nigel Short. The song's track number on the album is #13 out of 13 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Lamentations is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lamentations by Antoine Brumel, Tenebrae, Nigel Short has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Lamentations being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O mors inevitabili | Jheronimus Vinders, Obsidienne Vocal Ensemble, Emmanuel Bonnardot | G Major | 2 | 9B | 91 BPM | ||
| O virga ac diadema | Hildegard von Bingen, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin | F Minor | 0 | 4A | 95 BPM | ||
| Tota pulchra es, WAB 46 | Anton Bruckner, Jānis Kurševs, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | C Major | 0 | 8B | 131 BPM | ||
| Il primo libro de balli: Pass'e mezzo Moderno | Giorgio Mainerio, Paul Beier, Galatea | C Major | 1 | 8B | 120 BPM | ||
| Ballo francese | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | C Major | 0 | 8B | 87 BPM | ||
| Tallis: Lamentations of Jeremiah 1 - 1. Incipit lamentatio Jeremiae | Thomas Tallis, The Tallis Scholars, Peter Phillips | G Major | 0 | 9B | 137 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Agnus Dei | Antoine Brumel | C Minor | 2 | 5A | 99 BPM | ||
| Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
| Byrd: Mass for Five Voices - 03. Domine Deus | William Byrd, Peter Phillips, The Tallis Scholars | D♭ Minor | 2 | 12A | 79 BPM | ||
| Messe Et ecce terrae motus: II. Gloria | Antoine Brumel, Christopher Jackson, Studio De Musique Ancienne De Montréal | D♭ Major | 2 | 3B | 77 BPM | ||
| Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 2 | 8A | 130 BPM | ||
| Concerto: Audi cœlum | Claudio Monteverdi, Jordi Savall, La Capella Reial, Coro Del Centro Musica Antica Di Padova | F Major | 2 | 7B | 85 BPM | ||
| Heu nos miseros | Leonardo Leo, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
| Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
| Missa de beata virgine: III. Credo | Antoine Brumel, The Brabant Ensemble, Stephen Rice | A Major | 1 | 11B | 108 BPM | ||
| Latuit | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Kelly Landerkin | B♭ Minor | 0 | 3A | 172 BPM | ||
| Couperin, L: Fantaisie de Violes par Mr. Couperin | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 62 BPM | ||
| Palestrina: Missa Papae Marcelli - 4a. Sanctus | The Tallis Scholars, Peter Phillips | F♯ Major | 1 | 2B | 86 BPM | ||
| Conductus flos in monte cernitur | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Margit Übellacker, Tereza Havlíková | C Major | 1 | 8B | 79 BPM | ||
| Nunc dimittis | Costanzo Festa, The Marian Consort, Rory McCleery | B♭ Minor | 1 | 3A | 79 BPM | ||
| Musikalische Exequien, Op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest Du Deinen Diener" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | G Minor | 1 | 6A | 78 BPM | ||
| Tristitia et anxietas a 5 (Cantiones Sacrae, 1589): I. Tristitia et anxietas | William Byrd, The Gesualdo Six, Owain Park | D♭ Minor | 1 | 12A | 134 BPM | ||
| Taverner: Dum transisset Sabbatum I | John Taverner, Philip Ledger, Choir of King's College, Cambridge | F Major | 1 | 7B | 133 BPM |