Ranjit Manni's ' "Yaad Aa Rehi Hai" was released on its scheduled release date, January 1, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 8 in Chithi Likhdi Aan by Ranjit Manni. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Yaad Aa Rehi Hai is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Yaad Aa Rehi Hai by Ranjit Manni is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Addian da Jor Lag Geya | Jagga Safri, Kiranjoti | E♭ Minor | 6 | 2A | 88 BPM | ||
| Sade Nal Bole Na Bulai | Ranjit Manni | B♭ Minor | 8 | 3A | 80 BPM | ||
| Na Aya Kar Yaad | Gurpreet Dhat | D♭ Minor | 9 | 12A | 80 BPM | ||
| Kadon Milan Di Raat | Amarjit Nagina, Kiranjoti | B Minor | 10 | 10A | 127 BPM | ||
| Punjab De Galla - Re-Re-Mix | DJ Sanj, Ranjit Manni | D♭ Major | 8 | 3B | 173 BPM | ||
| Sahiban Dhahan Mare | Jaswinder Brar | A♭ Major | 6 | 4B | 83 BPM | ||
| Pegg Husan Da | Amarjeet Nagina, Kiranjoti | D♭ Major | 9 | 3B | 109 BPM | ||
| Banke Nagni | Manmohan Waris | D♭ Major | 8 | 3B | 104 BPM | ||
| Tatdi Da Jwab Sohniye | Major Rajasthani | F♯ Major | 5 | 2B | 88 BPM | ||
| Hass Hass Gallan Karde | Debi Makhsoospuri | B♭ Minor | 9 | 3A | 103 BPM | ||
| Pagg | Amarjit Nagina, Manjit Usha | C Major | 8 | 8B | 122 BPM | ||
| Jiyondeyan Nu Roiye | Dharampreet | A♭ Minor | 6 | 1A | 142 BPM | ||
| Maza Phone Te Nahi Aaunda | Surinder Bachan, Ranjit Mani | B Minor | 6 | 10A | 103 BPM | ||
| Pitugi Teri Bhain Saaliye | Bagga Safri, Kiranjoti | A Major | 8 | 11B | 176 BPM | ||
| Do Galan Pyar Dian | Ranjit Manni | B Minor | 9 | 10A | 160 BPM | ||
| Nain Tarasde Mere | Sonu Saini | G Major | 6 | 9B | 140 BPM | ||
| Ishq Da Asool | Ranjit Manni | B♭ Minor | 8 | 3A | 80 BPM | ||
| Chal Karva Darshan | Sajan Firozpuri | A♭ Major | 9 | 4B | 118 BPM | ||
| Personal Maal | Ranjit Manni | F Minor | 8 | 4A | 165 BPM | ||
| Teri Choti Bhain | Amrik Toofan, Harjit Mattu | A♭ Major | 8 | 4B | 174 BPM | ||
| Peig Jeeje Ne Louna | Amrik Toofan, Harjeet Mattu | B♭ Minor | 8 | 3A | 106 BPM | ||
| Houli Houli | Kaler Kanth | E♭ Major | 9 | 5B | 143 BPM | ||
| Phir Kadon Takreingee | Ranjit Mani | A♭ Minor | 9 | 1A | 133 BPM | ||
| Yaddan Pind Diyan | Yudhveer | D Major | 7 | 10B | 132 BPM | ||
| Bhagat Baniya | Amrik Toofan, Harjit Mattu | D♭ Major | 7 | 3B | 91 BPM |