"With Vengeance Come" by Adam Haworth Stephens had its release date on September 28, 2010. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of We Live On Cliffs by Adam Haworth Stephens. The song's track number on the album is #3 out of 9 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, With Vengeance Come's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since With Vengeance Come by Adam Haworth Stephens has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With With Vengeance Come being at 121 BPM, the half-time would be 60 BPM with a double-time of 242 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Go To Hell | David Ford | D Major | 5 | 10B | 87 BPM | ||
| Fake Palindromes | Andrew Bird | D Major | 6 | 10B | 144 BPM | ||
| Fuck Was I | Jenny Owen Youngs | G Major | 2 | 9B | 156 BPM | ||
| All In a Day | The Open Sea | D♭ Major | 1 | 3B | 103 BPM | ||
| The Curse Of Great Beauty | Clem Snide | B Major | 0 | 1B | 100 BPM | ||
| Days Like This | Kim Taylor | B♭ Minor | 2 | 3A | 138 BPM | ||
| Imaginary bars | Great Lake Swimmers | E♭ Major | 2 | 5B | 114 BPM | ||
| Sneak out the Back Door | Ron Sexsmith | E Major | 5 | 12B | 95 BPM | ||
| Steal Back | Aunt Martha | F Major | 3 | 7B | 80 BPM | ||
| No One Said It Would Be Easy | Cloud Cult | A Major | 9 | 11B | 120 BPM | ||
| Museum Of Flight | Damien Jurado | D♭ Major | 4 | 3B | 110 BPM | ||
| I Believe Jesus Brought Us Together | The Horrible Crowes | B♭ Major | 9 | 6B | 115 BPM | ||
| It's Never Too Late (End Credits) | Benjamin Gibbard | C Major | 4 | 8B | 180 BPM | ||
| Heart & Bones | The Pines | D Major | 4 | 10B | 173 BPM | ||
| A Girl In Port | Okkervil River | E Major | 4 | 12B | 147 BPM | ||
| Can't Get It Right Today | Joe Purdy | B♭ Major | 1 | 6B | 141 BPM | ||
| All You Got Is Gold | The Great Escape | G Major | 4 | 9B | 144 BPM | ||
| I Love You, But Goodbye | Langhorne Slim | E♭ Major | 5 | 5B | 137 BPM | ||
| Tell Me A Lie | Griffin House | D♭ Major | 3 | 3B | 126 BPM | ||
| Acid Tongue | Jenny Lewis | A Major | 3 | 11B | 131 BPM | ||
| The Cities That You've Burned | Adam Haworth Stephens | F Major | 5 | 7B | 101 BPM | ||
| When We Become | Clem Snide, Eef Barzelay | E Major | 4 | 12B | 114 BPM | ||
| Nothing Like You And I | The Perishers | D Major | 2 | 10B | 124 BPM | ||
| Black Roses | Escondido | C Major | 6 | 8B | 186 BPM | ||
| In My Sleep | Austin Hartley-Leonard, Kendall Jane Meade | B♭ Major | 3 | 6B | 84 BPM |