On December 22, 1998, the song "Milal Marda Bedardi" was released by Rekha Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rani's "Killi Khol Ke Raakhab" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Milal Marda Bedardi is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Milal Marda Bedardi by Rekha Rani to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baap Ke Dehal Gaadi | Bijli Rani, Rekha Rani | A♭ Major | 7 | 4B | 91 BPM | ||
| Kajo Naina Milaye O | Karnail Rana | E Major | 7 | 12B | 89 BPM | ||
| B.A. Karke Bakri Charavata | Anand Mohan | C Minor | 8 | 5A | 128 BPM | ||
| Paihanab Shameej Salwar | Bijli Rani, Rekha Rani | A♭ Major | 7 | 4B | 91 BPM | ||
| Bich Bajriya Roktau Jab Police Prashasan | Amit Aashik | F♯ Major | 9 | 2B | 88 BPM | ||
| Baba Ke Bulldozer | Dinesh Lal Yadav | A Minor | 10 | 8A | 112 BPM | ||
| Sanwariya | Bharti Sharma | E Major | 9 | 12B | 146 BPM | ||
| Sendur Bangal Ke | Sharda Sinha | A♭ Major | 6 | 4B | 155 BPM | ||
| Jiya Jiya Ho Bihar Ke Lala | Mohan Rathod | D Major | 7 | 10B | 100 BPM | ||
| Mann Kare Silwat | Diwakar Dwivedi | A♭ Minor | 10 | 1A | 102 BPM | ||
| Murga Bechain Bante | Arvind Akela Kallu Ji, Nisha | F♯ Minor | 10 | 11A | 160 BPM | ||
| Dilli Sarkar Hilela | Kalpana | B♭ Minor | 8 | 3A | 148 BPM | ||
| Dhake Kamariya Harihar Sariya Khinch Lele Raja Ji | Uday Uttam Yadav | D♭ Minor | 9 | 12A | 149 BPM | ||
| Haye Bathne Reeniya Re | Nati King Kuldeep Sharma, Rajeev Negi | B♭ Major | 10 | 6B | 144 BPM | ||
| Titali Shahar Ke (From "Balma Bada Nadan 2") | Neelkamal Singh, Priyanka Singh | B Major | 8 | 1B | 98 BPM | ||
| Mora Gharwa Me Devra Jawan Bate | Rekha Rani | D♭ Minor | 8 | 12A | 82 BPM | ||
| Chamba Sheher - From "Rut Barsala" | Darmaiz Sondhu, Rekha Rani | D♭ Minor | 8 | 12A | 82 BPM | ||
| Moosooki Chawniya | Guddu Rangila, Rekha | D♭ Minor | 10 | 12A | 108 BPM | ||
| Hardam Kare Je Bipatiya Mein Madatiya Ho | Gaurangi Gauri Ji | E♭ Minor | 8 | 2A | 150 BPM | ||
| Kanasige Koneyilla | Sudeep, Rekha Rani | A♭ Major | 5 | 4B | 121 BPM | ||
| Minjo Apna Vanane Vaaliye | Dharmej Saundhu, Rekha Rani | B Minor | 7 | 10A | 90 BPM | ||
| I Love You Falani | Arvind Akela Kallu Ji | B Major | 10 | 1B | 130 BPM | ||
| Bina Chaddi Ke Holi | Vijay Chauhan, Shilpi Raj | E♭ Minor | 9 | 2A | 125 BPM | ||
| Bola Rat Ke Sejariya Par Aiba Ki Na | Rekha Rani | C Minor | 7 | 5A | 80 BPM | ||
| E Sarkar Ki Gali Ha | Aalok | G Minor | 9 | 6A | 85 BPM |