"Bassoon Concertino: I. Assai moderato" by Francisco Mignone, Alexandre Silverio, Orquestra Sinfônica do Estado de São Paulo, Giancarlo Guerrero had its release date on July 26, 2024. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Francisco Mignone, Orquestra Sinfônica do Estado de São Paulo, Neil Thomson, Giancarlo Guerrero's "Mignone: Concertos & Concertinos" album is number 7 out of 11. On top of that, Hong Kong appears to be the country where this track was created. Bassoon Concertino: I. Assai moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bassoon Concertino: I. Assai moderato by Francisco Mignone, Alexandre Silverio, Orquestra Sinfônica do Estado de São Paulo, Giancarlo Guerrero to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tansman: Musique de cour d'après Robert de Visée: VIII. Finale | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | A Major | 2 | 11B | 119 BPM | ||
| Pavane pour une infante défunte, M. 19 | Maurice Ravel, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | E Minor | 1 | 9A | 87 BPM | ||
| Mendelssohn - Lieder, S547/R217 (7 Lieder From Mendelssohn, Op, 19a, 34, 47) : Auf Flugeln Des Gesanges(From Op. 34, No. 2) | Joseph Banowetz, Franz Liszt | A♭ Major | 0 | 4B | 149 BPM | ||
| Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba) | Darius Milhaud, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 99 BPM | ||
| Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
| Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
| Les Barricades mystérieuses | François Couperin, David Greilsammer | B♭ Major | 0 | 6B | 131 BPM | ||
| 3 Preludes: II. Andante con moto e poco rubato | George Gershwin, Jon Nakamatsu | F♯ Major | 0 | 2B | 72 BPM | ||
| 14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) | Sergei Rachmaninoff, Mikayel Hakhnazaryan, Lia Hakhnazaryan | E Minor | 1 | 9A | 105 BPM | ||
| Nocturne in B Major, Op. 22 | Charles-Valentin Alkan, Pascal Amoyel | B Major | 0 | 1B | 69 BPM | ||
| Nocturne No. 3 in A Flat Major, H.26 | John Field, Elizabeth Joy Roe | A♭ Major | 0 | 4B | 73 BPM | ||
| Sixteen Waltzes for Solo Bassoon: 13. Almost a Modinheira (Modhina Style) Waltz (The Imploring Woman) | Francisco Mignone, Frank Morelli | A Minor | 0 | 8A | 91 BPM | ||
| Lyric Pieces, Book VI, Op. 57: No. 6, Hjemve. Andante | Edvard Grieg, Javier Perianes | E Minor | 0 | 9A | 166 BPM | ||
| La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
| Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Benjamin Schmid, Mozarteum Orchestra Salzburg, Hans Graf | E Major | 0 | 12B | 64 BPM | ||
| 24 Preludes, Op. 37, BV 181: No. 15 in D-Flat Major | Ferruccio Busoni, Holger Groschopp | B Major | 0 | 1B | 111 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Moods, Impressions and Souvenirs, Op. 41: IV. Poème | Zdeněk Fibich, Balazs Szokolay | E Major | 0 | 12B | 126 BPM | ||
| Coração Que Sente | Maria Josephina Mignone, Francisco Mignone | G Major | 1 | 9B | 119 BPM | ||
| Moonbeams | Leo Livens, Duncan Honeybourne | C Major | 0 | 8B | 64 BPM | ||
| Preludes: Prelude No. 5 | Federico Mompou, Olena Kushpler | D Minor | 0 | 7A | 72 BPM | ||
| Das Orgel-Büchlein, BV B 27: No. 2, Wachet auf, ruft uns die Stimme (After J. S. Bach's BWV 645) | Ferruccio Busoni, Wolf Harden | G Major | 0 | 9B | 129 BPM | ||
| Nocturne No. 13 In D Minor | Benjamin Frith, John Field | D Minor | 0 | 7A | 68 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | A Major | 2 | 11B | 142 BPM | ||
| 6 Morceaux, Op. 4: IV. Berceuse | Henrique Oswald, Braz Velloso | E♭ Major | 0 | 5B | 86 BPM |