- BPM
- 177
- Key
- C Minor
- Camelot
- 5A
Jerusalem - Part 1 by William Blake Song Details
William Blake's ' "Jerusalem - Part 1" was released on its scheduled release date, 2002. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "Listen To Britain" album is number 1 out of 46. The popularity of Jerusalem - Part 1 is currently unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
BPM and Tempo
We consider the tempo marking of Jerusalem - Part 1 by William Blake to be Presto (very, very fast) because the track has a tempo of 177 BPM, a half-time of 88BPM, and a double-time of 354 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
Music Key
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -13.778 dB
- Acousticness
- 68%
- Danceability
- 62%
- Energy
- 45%
- Instrumentalness
- 0%
- Liveness
- 17%
- Loudness
- 77%
- Speechiness
- 96%
- Valence
- 44%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | All-night Vigil, Op. 37: No. 10, Having Beheld the Resurrection | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | D Minor | 1 | 7A | 84 BPM | |
 | St. Matthew Passion, BWV 244, Pt. 1: No. 1, Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki | A♭ Minor | 0 | 1A | 86 BPM | |
 | Requiem, Op. 9: III. Domine Jesu Christe | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Christophe Gautier, Henri Chalet | D Major | 0 | 10B | 67 BPM | |
 | Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | |
 | Christus factus est, WAB 11 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | |
 | The Armed Man - A Mass For Peace: XII. Benedictus | Karl Jenkins, London Philharmonic Orchestra, National Youth Choir Of Great Britain, Mike Brewer, Guy Johnston | D Major | 0 | 10B | 79 BPM | |
 | Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, Philip Ledger, The Philip Jones Brass Ensemble | F Major | 0 | 7B | 65 BPM | |
 | My Letter to the World for Baritone and Orchestra / II | Dai Fujikura, William Blake | F Minor | 1 | 4A | 86 BPM | |
 | Deliverance | Darius Lim, Nicole Lee, Baek Jongwoo, Voices of Singapore Ladies Choir, Voices of Singapore Men’s Choir, Sharon Ham, Richard Ter, Julian Li | A Minor | 2 | 8A | 71 BPM | |
 | Out of This Darkness: No. 1, I Hold You | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | C Major | 2 | 8B | 76 BPM | |
| Purcell: Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge | E♭ Major | 1 | 5B | 97 BPM | |
 | Whitacre: Three Songs Of Faith: I Thank You God For Most This Amazing Day | Eric Whitacre, Eric Whitacre Singers | C Major | 1 | 8B | 126 BPM | |
 | Heyr þú oss himnum á | Anna Thorvaldsdottir, Singer Pur | D Minor | 0 | 7A | 67 BPM | |
 | From William Blake's Poetry, Op. 53, 1978, The Garden Of Love | Øistein Sommerfeldt, William Blake, Svein Bjørkøy, Ivar Anton Waagaard | E Minor | 0 | 9A | 87 BPM | |
 | Nun ist alles überwunden | Adam Drese, Voces Suaves, Akademie für Alte Musik Berlin | E Minor | 1 | 9A | 85 BPM | |
 | Songs of Farewell: There is an Old Belief | Hubert Parry, Tenebrae, Nigel Short | G Major | 0 | 9B | 62 BPM | |
 | Track 14 - Songs of Innocence and of Experience | William Blake, Tim Bruce | F♯ Major | 1 | 2B | 108 BPM | |
| Track 8 - Songs of Innocence and of Experience | William Blake, Tim Bruce | G Major | 1 | 9B | 202 BPM | |
 | 8 Part-Songs, Op. 119: III. The Blue Bird | Charles Villiers Stanford, Cai Thomas, Pegasus Chamber Choir, Robert Lewis | F♯ Major | 1 | 2B | 61 BPM | |
 | To the Hands: No. 1, Prelude (Wordless) | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | C Major | 1 | 8B | 135 BPM | |
 | Songs of Innocence: XII. Holy Thursday (Text by William Blake) | Nicholas White, William Blake, The Raven Consort | D Major | 1 | 10B | 66 BPM | |
 | Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | F Major | 0 | 7B | 81 BPM | |
 | A New Song | James MacMillan, The Sixteen, Harry Christophers | A Major | 1 | 11B | 125 BPM | |
 | From William Blake's Poetry, Op. 53: No. 3, The Little Vagabond | Øistein Sommerfeldt, William Blake, Toril Carlsen, Erik Stenstadvold, Hans Olav Gorset, Geir Henning Braaten, Mariss Jansons, Karsten Andersen | D Minor | 1 | 7A | 82 BPM | |
 | And I Heard a Voice... | Arvo Pärt, Ars Nova Copenhagen, Paul Hillier | G Minor | 1 | 6A | 136 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records