On 2002, the song "Ain't No Where You Can Run" was released by Holly Near. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Ain't No Where You Can Run's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 37 in And Still We Sing: The Outspoken Collection by Holly Near. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Ain't No Where You Can Run's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Ain't No Where You Can Run by Holly Near is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Losing You | Kate & Anna McGarrigle | B Minor | 1 | 10A | 135 BPM | ||
| Gentle Arms of Eden | Dave Carter, Tracy Grammer | C Major | 5 | 8B | 110 BPM | ||
| We Rise | Batya Levine | E♭ Minor | 2 | 2A | 77 BPM | ||
| I Ain't Afraid | Holly Near | F Minor | 3 | 4A | 121 BPM | ||
| Spanish Is A Loving Tongue | Ian & Sylvia | B♭ Major | 1 | 6B | 122 BPM | ||
| Crossing The Bar | Rani Arbo & Daisy Mayhem | B♭ Major | 2 | 6B | 101 BPM | ||
| Loving You Is to Awaken | Iquo DianaAbasi | D Major | 3 | 10B | 84 BPM | ||
| Northfield | Mary McCaslin | C Major | 3 | 8B | 163 BPM | ||
| I Guess He'd Rather Be in Colorado | Mary Travers | A Major | 1 | 11B | 137 BPM | ||
| (Why Is Your) Heaven so Small | Susan Werner | B♭ Major | 4 | 6B | 89 BPM | ||
| Black Mountain Lullaby | Caroline Herring | C Major | 2 | 8B | 95 BPM | ||
| Hurts Like The Devil | Cris Williamson | E Major | 3 | 12B | 176 BPM | ||
| My Son John | Tom Paxton | B♭ Major | 2 | 6B | 85 BPM | ||
| Sending You Light | Melanie DeMore | B♭ Major | 1 | 6B | 129 BPM | ||
| Holy Angels | Sara Thomsen | C Major | 1 | 8B | 130 BPM | ||
| Alice | Cheryl Wheeler | D Major | 3 | 10B | 91 BPM | ||
| He Lived Alone In Town | Buffy Sainte-Marie | B♭ Minor | 1 | 3A | 133 BPM | ||
| Both Sides Now | Lucy Wainwright Roche, Suzzy Roche | G Major | 3 | 9B | 104 BPM | ||
| Our Purpose Here | Ferron | D Major | 2 | 10B | 140 BPM | ||
| The Farthest Field | Blue Cliff Ensemble | G Major | 4 | 9B | 73 BPM | ||
| Sailing Down My Golden River | Greg Brown | G Major | 3 | 9B | 123 BPM | ||
| Anonymous Love | The Shady Blues | D Minor | 1 | 7A | 140 BPM | ||
| May the Longtime Sun | Sara Thomsen | C Major | 1 | 8B | 129 BPM | ||
| Mountain Song | Holly Near | D♭ Major | 3 | 3B | 78 BPM | ||
| True | Richarallennco | A Major | 1 | 11B | 93 BPM |