Alan Silvestri's 'The Crimson Gump (From "Forrest Gump" Score)' had a release date set for August 2, 1994. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 21 in Forrest Gump - Original Motion Picture Score by Alan Silvestri. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of The Crimson Gump (From "Forrest Gump" Score) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Crimson Gump (From "Forrest Gump" Score) by Alan Silvestri is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Legend of the Pianist | Ennio Morricone | G Major | 2 | 9B | 93 BPM | ||
| Sheep To The Horizon | Joel McNeely | G Major | 3 | 9B | 115 BPM | ||
| The Snake Pit | Carter Burwell | A Minor | 2 | 8A | 106 BPM | ||
| The Wedding Guest (From "Forrest Gump" Score) | Alan Silvestri | F Major | 0 | 7B | 69 BPM | ||
| Charlie In The Oval Office | W.G. Snuffy Walden | D Major | 2 | 10B | 67 BPM | ||
| Arrival to Earth | Steve Jablonsky | C Minor | 4 | 5A | 79 BPM | ||
| The Room of Requirements | Nicholas Hooper | C Major | 1 | 8B | 156 BPM | ||
| Shooting Star | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | D Minor | 3 | 7A | 84 BPM | ||
| Sometimes People Just Die | George Fenton | D♭ Minor | 2 | 12A | 148 BPM | ||
| The Origins of Time | Jóhann Jóhannsson | C Major | 0 | 8B | 75 BPM | ||
| Journey to Fort Sedgewick / Shooting Star / The John Dunbar Theme / Arrival at Fort Sedgewick (From "Dance with Wolves" Soundtrack) | John Barry | B♭ Major | 1 | 6B | 81 BPM | ||
| Campfire | William Ross | E♭ Major | 0 | 5B | 50 BPM | ||
| Burning Books | Harald Kloser | E Minor | 0 | 9A | 111 BPM | ||
| Home Again: End Credits | Leonard Rosenman | C Major | 3 | 8B | 121 BPM | ||
| Taking a Stand | Henry Jackman | D Minor | 5 | 7A | 90 BPM | ||
| Main Titles - Letters from Iwo Jima | Kyle Eastwood and Michael Stevens | D Minor | 1 | 7A | 101 BPM | ||
| Can You Dig It (Iron Man 3 Main Titles) | Brian Tyler | E Minor | 9 | 9A | 91 BPM | ||
| Being Stupid | Andrea Guerra | A Major | 1 | 11B | 104 BPM | ||
| One Against Four | Carter Burwell | C Major | 1 | 8B | 111 BPM | ||
| He Looked So Happy | Fernando Velázquez | C Minor | 1 | 5A | 77 BPM | ||
| The Human Spirit | Harald Kloser | F Major | 1 | 7B | 75 BPM | ||
| Summit | Dario Marianelli | D♭ Minor | 2 | 12A | 85 BPM | ||
| The Impossible Main Titles | Fernando Velázquez | C Minor | 1 | 5A | 79 BPM | ||
| Meet the IMF | Joe Kraemer | A Minor | 1 | 8A | 90 BPM | ||
| The British Arrival | Trevor Jones | E Major | 1 | 12B | 61 BPM |