Polaris's 'The Undertow' had a release date set for 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 7 in Dichotomy by Polaris. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. The popularity of The Undertow is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Undertow by Polaris is Presto (very, very fast), since this song has a tempo of 194 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Melancholy Oxidase | Dealer, Travis Tabron | D♭ Major | 10 | 3B | 155 BPM | ||
| Equilibrium (Ft. Ryan Siew) | Above, Below, Ryan Siew | A Minor | 9 | 8A | 196 BPM | ||
| Catacombs | After The Burial | D♭ Major | 10 | 3B | 165 BPM | ||
| The Entropy | Gravemind | B♭ Major | 10 | 6B | 140 BPM | ||
| Something in the Water | Stray From The Path | D♭ Major | 10 | 3B | 93 BPM | ||
| Parted Time | Pridelands | A♭ Major | 9 | 4B | 160 BPM | ||
| Ellie | Veil Of Maya | D♭ Minor | 10 | 12A | 120 BPM | ||
| Regress | Polaris | A♭ Minor | 10 | 1A | 122 BPM | ||
| Offworlder | Silent Planet | D♭ Major | 10 | 3B | 133 BPM | ||
| A Smile That Does Not Exist | Miss May I | E♭ Major | 9 | 5B | 145 BPM | ||
| Shade Astray | Invent Animate | A♭ Major | 10 | 4B | 164 BPM | ||
| Earth Gazing | Structures | D♭ Major | 9 | 3B | 125 BPM | ||
| Sentient Glow | Periphery | C Minor | 10 | 5A | 100 BPM | ||
| Target Acquired | 156/Silence | B Minor | 10 | 10A | 99 BPM | ||
| The Well Redux | Silent Planet | F♯ Major | 8 | 2B | 150 BPM | ||
| SYMBIOTIC SUICIDE | HEAVENSGATE | D♭ Major | 10 | 3B | 158 BPM | ||
| Carry the Weight | We Came As Romans | D♭ Major | 10 | 3B | 127 BPM | ||
| Into Oblivion | Miss May I | E♭ Major | 9 | 5B | 145 BPM | ||
| Dominion | Inertia | D Major | 10 | 10B | 130 BPM | ||
| Beautiful Hell | Resolve | F Minor | 10 | 4A | 127 BPM | ||
| Trauma Culture | Half Me | B♭ Minor | 10 | 3A | 89 BPM | ||
| Presence of Mind | Ocean Grove | B♭ Minor | 10 | 3A | 200 BPM | ||
| Masquerade | Northlane | F♯ Major | 10 | 2B | 95 BPM | ||
| Blame's Burden (feat. Marcus Vik) | Boundaries, Marcus Vik | A♭ Major | 10 | 4B | 180 BPM | ||
| Rot in Pieces | Alpha Wolf | F Minor | 10 | 4A | 135 BPM |