The Starting Line's ' "Artistic License" was released on its scheduled release date, January 1, 2005. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 13 in Based On A True Story by The Starting Line. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Artistic License is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Artistic License by The Starting Line is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don't Push Love Away | The Juliana Theory | D Major | 7 | 10B | 187 BPM | ||
| Asleep In The Chapel | Thursday | B Minor | 9 | 10A | 155 BPM | ||
| Cutting Corners | Transit | F Minor | 10 | 4A | 152 BPM | ||
| Operate | The Movielife | A♭ Major | 10 | 4B | 185 BPM | ||
| Down | Something Corporate | E Minor | 8 | 9A | 114 BPM | ||
| How The Lonely Keep The Lovely | Terminal | F♯ Minor | 7 | 11A | 188 BPM | ||
| The Chaser | Hidden In Plain View | E Major | 10 | 12B | 140 BPM | ||
| Futures | Jimmy Eat World | E♭ Major | 9 | 5B | 168 BPM | ||
| Secondary | Brand New | D♭ Major | 9 | 3B | 90 BPM | ||
| What You Want | The Starting Line | A♭ Major | 10 | 4B | 125 BPM | ||
| I Can Barely Breathe | Just Surrender | B♭ Minor | 10 | 3A | 145 BPM | ||
| Twentythree | Yellowcard | E Major | 10 | 12B | 95 BPM | ||
| Something That Produces Results | The Early November | F♯ Major | 4 | 2B | 100 BPM | ||
| Caving | Reggie And The Full Effect | C Major | 9 | 8B | 117 BPM | ||
| Lawyers | The Audition | D♭ Major | 8 | 3B | 90 BPM | ||
| I'm Ready - 2015 Remastered | Jack's Mannequin | B♭ Major | 9 | 6B | 116 BPM | ||
| Autobiography Of A Nation | Thursday | B♭ Major | 7 | 6B | 143 BPM | ||
| The Sound | Further Seems Forever | A♭ Major | 10 | 4B | 138 BPM | ||
| Need To Love | The Starting Line | B Major | 8 | 1B | 122 BPM | ||
| Every Night's Another Story | The Early November | G Major | 3 | 9B | 124 BPM | ||
| Post Script | Finch | D♭ Major | 8 | 3B | 100 BPM | ||
| The Space Between | Valencia | D Major | 9 | 10B | 170 BPM | ||
| Just a Failure | Terminal | D♭ Major | 9 | 3B | 176 BPM | ||
| Fed to Death | Say Anything | D♭ Major | 6 | 3B | 129 BPM | ||
| It's Not Over | Days Away | C Major | 9 | 8B | 145 BPM |