On January 1, 1953, the song "Balam Mera Banka" was released by Shamshad Begum, Pradeep. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 9 in Chamkee (Original Motion Picture Soundtrack) by Manna Dey, Pradeep. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Balam Mera Banka's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Balam Mera Banka by Shamshad Begum, Pradeep is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ab To Jee Hone Laga | Shamshad Begum | E♭ Major | 6 | 5B | 132 BPM | ||
| Dil Gaya To Gaya | Suman Kalyanpur, Shamshad Begum | B Minor | 8 | 10A | 103 BPM | ||
| Tuhi Woh Hasin | Mohd. Rafi | A♭ Major | 5 | 4B | 118 BPM | ||
| Aap Aaye To | Mahendra Kapoor, Sahir Ludhianvi | E♭ Minor | 3 | 2A | 104 BPM | ||
| Teri Ulfat Mein Sanam | Nahid Akhtar | B♭ Major | 5 | 6B | 89 BPM | ||
| Filmon Ke Sare Hero | Amit Kumar, Nitin Mukesh | A Minor | 6 | 8A | 85 BPM | ||
| Hum Dard Ka Afsana | Shamshad Begum | F Minor | 7 | 4A | 112 BPM | ||
| Mere Paas Aao Mere Dosto | Amitabh Bachchan, Master Ravi | D Major | 3 | 10B | 77 BPM | ||
| Ae Mere Zohra Jabeen | Manna Dey | F♯ Minor | 5 | 11A | 80 BPM | ||
| Sathi Mere Sathi | Suman Kalyanpur | B♭ Minor | 5 | 3A | 103 BPM | ||
| Jo Dard Mila Apnon Se Mila | Mehdi Hassan | B♭ Minor | 6 | 3A | 92 BPM | ||
| Baharo Phool Barsao (From "Suraj") | Mohammed Rafi | E♭ Minor | 5 | 2A | 168 BPM | ||
| Faza Bhi Hai Jawan - I | Salma Agha | A Major | 3 | 11B | 141 BPM | ||
| O Mera Babu Chhail Chhabila | Runa Laila | F Minor | 6 | 4A | 105 BPM | ||
| Dekh Lo Aaj Hamko | Jagjit Kaur | A♭ Major | 4 | 4B | 88 BPM | ||
| Pyar Kiya To Darna Kya | Lata Mangeshkar | C Major | 3 | 8B | 107 BPM | ||
| Taron Men Sajke Apne Suraj Se | Mukesh, Laxmikant–Pyarelal | A♭ Major | 6 | 4B | 126 BPM | ||
| Laga Chunari Men Daag | Manna Dey, Roshan | A♭ Minor | 7 | 1A | 84 BPM | ||
| O Goriya Re | K. J. Yesudas | A Minor | 5 | 8A | 98 BPM | ||
| Hamri Atariya Pe Aao (Dadra) | Begum Akhtar | D Minor | 6 | 7A | 74 BPM | ||
| Duniya Badal Gayi | Talat Mahmood, Shamshad Begum | D♭ Minor | 4 | 12A | 140 BPM | ||
| Rang Barse Bheege Chunarwali | Amitabh Bachchan | D Major | 5 | 10B | 120 BPM | ||
| Rafta Rafta Woh Meri Hasti Ka (From "Zeenat") | Mehdi Hassan | B♭ Minor | 7 | 3A | 104 BPM | ||
| Leke Pehla Pehla Pyar (From "C.I.D.'') | Mohammed Rafi, Shamshad Begum | A♭ Minor | 6 | 1A | 100 BPM | ||
| Sabko Maloom Hai Main Sharabi Nahin | Pankaj Udhas | G Major | 6 | 9B | 82 BPM |