Laryssa Okada's 'Call Me When You Get Home' had a release date set for September 26, 2025. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Stutter". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Call Me When You Get Home's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Call Me When You Get Home by Laryssa Okada having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Perfect Bounce | Cameron Paxton | F Major | 4 | 7B | 120 BPM | ||
| Paradigm Shift | Laryssa Okada | D Major | 10 | 10B | 149 BPM | ||
| Nexus | Paul Weir | D Major | 2 | 10B | 58 BPM | ||
| cold air | Koraii | A Major | 7 | 11B | 135 BPM | ||
| Expeditions | Paul Weir | B Minor | 4 | 10A | 125 BPM | ||
| (Bonus) Echo Rhythm | Rhys Lindsay | B Minor | 0 | 10A | 172 BPM | ||
| Girl in the Rain | Laryssa Okada | F♯ Minor | 1 | 11A | 203 BPM | ||
| Frigid Tomb (Remix) | Laryssa Okada, Michael Sechrist, Skye Lewin, Michael Salvatori | B♭ Major | 3 | 6B | 105 BPM | ||
| Blizzard | Cameron Ginex | A♭ Minor | 2 | 1A | 89 BPM | ||
| Mirren's Domain | Aether | D Minor | 1 | 7A | 124 BPM | ||
| River's End Times | Andrew Prahlow | D Minor | 4 | 7A | 120 BPM | ||
| In Fog We Are Lost | Trigg & Gusset | F Major | 1 | 7B | 142 BPM | ||
| Into Rust | Grant Graham | F♯ Major | 0 | 2B | 133 BPM | ||
| Pacifica Welcomes You | Simon Stålenhag | B Minor | 1 | 10A | 127 BPM | ||
| River | Ben Prunty | F♯ Major | 0 | 2B | 88 BPM | ||
| Temple of Wind | Akuma Kira | D♭ Minor | 4 | 12A | 123 BPM | ||
| Nadir | Brunon Lubas | B Minor | 2 | 10A | 67 BPM | ||
| Power of Two | Todd Baker | C Major | 5 | 8B | 141 BPM | ||
| School of the Flower | marshall h | A Minor | 2 | 8A | 180 BPM | ||
| distance (stretched) | Daniel Chrazel | D♭ Minor | 1 | 12A | 68 BPM | ||
| Disco Elysium, Pt. 1 | Sea Power | F Major | 8 | 7B | 116 BPM | ||
| Summer Breeze | Jamal Green | F Major | 2 | 7B | 110 BPM | ||
| Ancient Blue | Jonathan Geer | A♭ Major | 6 | 4B | 86 BPM | ||
| Up To Me | The Toxic Avenger, Gildaa, Martin Stig Andersen | A Minor | 1 | 8A | 82 BPM | ||
| Unpredictable and Joyous | Austin Wintory | D♭ Minor | 2 | 12A | 99 BPM |