"The Women Were Watching" by Anthony Phillips had its release date on October 1, 1983. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Anthony Phillips's "Invisible Men (Deluxe Edition)" album is number 2 out of 31. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Women Were Watching's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Women Were Watching by Anthony Phillips to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shine and Fall | David Cross, Robert Fripp | F♯ Major | 10 | 2B | 85 BPM | ||
| God If I Saw Her Now | Anthony Phillips | C Major | 1 | 8B | 146 BPM | ||
| White Sands | Iona | A Minor | 3 | 8A | 80 BPM | ||
| Broken Heart | Al DiMeola Project | E Major | 1 | 12B | 116 BPM | ||
| Entering the Space Gates - Revisited | Karfagen | D Minor | 1 | 7A | 76 BPM | ||
| Three Silver Ladies Dance | Andreas Vollenweider, Walter Keiser, Pedro Haldemann, Jon Otis, Matthias Ziegler, Christoph Ziegler, Max Lässer | F Minor | 7 | 4A | 82 BPM | ||
| Stopover – Life | Moonrise | G Minor | 3 | 6A | 108 BPM | ||
| Windows And Walls | Michael Gettel | D♭ Major | 2 | 3B | 142 BPM | ||
| The Eye Of The Dragonfly | Friedemann | A Minor | 4 | 8A | 119 BPM | ||
| Dream | PHT Édöm | C Major | 6 | 8B | 89 BPM | ||
| Ghostly Horses of the Plain | Al Stewart | F Major | 1 | 7B | 135 BPM | ||
| Schemerlicht | De Lumineuze Nachten | C Major | 7 | 8B | 135 BPM | ||
| The Lovers | Steve Hackett | D Minor | 0 | 7A | 93 BPM | ||
| Matjora is Still Alive | Johannes Schmoelling | E♭ Major | 1 | 5B | 109 BPM | ||
| Resident | Eddie Jobson, Zinc | E Minor | 8 | 9A | 104 BPM | ||
| Number 9 | Siiilk | D♭ Major | 10 | 3B | 82 BPM | ||
| Amber on the Waning Sky | DIM | D Minor | 0 | 7A | 93 BPM | ||
| Nucleotide | Kevin Shrieve, Klaus Schulze, Michael Shrieve | F Minor | 1 | 4A | 127 BPM | ||
| Wandering on the Milky Way - Violin Solo | Jean-Luc Ponty | G Minor | 2 | 6A | 111 BPM | ||
| Maybe I'll Lend You Mine After All | Brand X | E♭ Major | 0 | 5B | 108 BPM | ||
| Sad Young Man | Strawbs | C Major | 4 | 8B | 121 BPM | ||
| Birthright | Anderson Bruford Wakeman Howe | C Major | 6 | 8B | 98 BPM | ||
| Karu | Patrick Moraz, Bill Bruford | C Major | 2 | 8B | 127 BPM | ||
| Unquiet Slumbers for the Sleepers... | Genesis | D Major | 2 | 10B | 105 BPM | ||
| Almost April | Michael Manring | G Major | 4 | 9B | 112 BPM |