"Concerto for Organ, Strings and Percussion: I. Allegro" by Carl Rütti, Martin Heini, Mario Schubiger, Rainer Held, The State Philharmonic Chamber Orchestra of Novosibirsk had its release date on May 15, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Ruti: Concerto for Organ, Strings and Percussion, Tongues of Fire - Arensky: Variations on a theme of Tchaikovsky - Poulenc: Concerto for Organ, Timpani and Strings". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Switzerland. Concerto for Organ, Strings and Percussion: I. Allegro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Organ, Strings and Percussion: I. Allegro by Carl Rütti, Martin Heini, Mario Schubiger, Rainer Held, The State Philharmonic Chamber Orchestra of Novosibirsk having a BPM of 58 with a half-time of 29 BPM and a double-time of 116 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Messa di Requiem: Requiem | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 81 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Body of the Lord | Komitas, Armen Badalyan, Latvian Radio Choir, Sigvards Kļava | G Major | 2 | 9B | 84 BPM | ||
| Arioso, Oi Herra, Sinun Jäljissäsi Kuljen | Cantio Laudis -kuoro, Heikki Rainio, Markku Liukkonen, Sirkka Rautakoski, Ari Rautakoski | C Minor | 1 | 5A | 76 BPM | ||
| Hear My Prayer, O Lord | Henry Purcell, The Mancunium Consort | A Minor | 3 | 8A | 79 BPM | ||
| King David (Arr. Farrington for Mixed Choir & Piano) | Herbert Howells, IKON, David Hill, Iain Farrington | G Major | 1 | 9B | 128 BPM | ||
| Christe, qui lux es et dies: Christe, qui lux es et dies | William Byrd, Stile Antico | G Minor | 0 | 6A | 86 BPM | ||
| Officium Divinum, Midday Prayer: No. 6, The Real Presence | Margaret Rizza, Convivium Singers, David Price, Dominika Fehér, Richard Phillips, Eamonn Dougan | A♭ Major | 0 | 4B | 71 BPM | ||
| Out of This Darkness: No. 5, Out of This Darkness | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | D Major | 2 | 10B | 134 BPM | ||
| The Benediction | Laestadian Lutheran Church, Viena Kontkanen | E Major | 1 | 12B | 87 BPM | ||
| Messe Solennelle, Op. 16 - Agnus Dei | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A♭ Major | 1 | 4B | 135 BPM | ||
| Hymen I | Magalí Sare, Cor Bruckner Barcelona | E Major | 3 | 12B | 74 BPM | ||
| Lullaby "My Sweet Little Baby", T. 242 | William Byrd, The Gesualdo Six, Owain Park | A♭ Minor | 0 | 1A | 95 BPM | ||
| Vespers: No. 1, The Opening Psalm | Benedict Sheehan, Michael Hawes, Timothy Parsons, The Saint Tikhon Choir | D Major | 0 | 10B | 84 BPM | ||
| Mass of the Americas: VII. Ave verum corpus | Frank La Rocca, The Benedict XVI Choir, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | ||
| Father All-Holy | Basilica of the National Shrine of the Immaculate Conception Choir | A♭ Major | 2 | 4B | 88 BPM | ||
| Psalm 10 "Why Standest Thou So Far Off, O Lord" | Percy C. Buck, Robert Ashfield, Rochester Cathedral Choir, Roger Sayer, Barry Ferguson | C Major | 1 | 8B | 79 BPM | ||
| Advent Antiphon | James MacMillan, Anna Steppler, Choir of Merton College, Oxford, Christopher Watson, Benjamin Nicholas | B Minor | 1 | 10A | 74 BPM | ||
| Echo des Carpathes: Andante - rubato, a piacere | Matthias Kofmehl, Ferenc Farkas, Carl Rütti | A♭ Minor | 0 | 1A | 68 BPM | ||
| Virga jesse floruit, WAB 52: Virga Jesse floruit, WAB 52 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
| Gaudete: Gloria! Gloria! | Anders Öhrwall, Hagersten Motet Choir, Ingemar Mansson, Mats Möller, Christina Sonstevold, Knut Sönstevold | A♭ Major | 1 | 4B | 159 BPM | ||
| I Sat Down Under His Shadow | Edward Bairstow, Westminster Choir, Joe Miller | F♯ Minor | 1 | 11A | 98 BPM | ||
| Stanford: Magnificat In A | Manchester Cathedral Choir, Jeffrey Makinson | A Major | 1 | 11B | 48 BPM | ||
| Laudate Dominum | Christian Theodor Weinlig, Leipzig Thomaner Choir, Hans-Joachim Rotzsch | G Major | 1 | 9B | 76 BPM | ||
| As torrents in summer | Edward Elgar, Phoenix Chorale, Christopher Gabbitas | B♭ Minor | 1 | 3A | 91 BPM | ||
| Son of God Mass: Pax Domini | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Major | 2 | 8B | 75 BPM |