Tomasz Bednarczyk's ' "Polypody I" was released on its scheduled release date, April 9, 2018. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Polypody I's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tomasz Bednarczyk's "Music for Balance and Relaxation Vol.1" album is number 3 out of 8. Based on our statistics, Polypody I's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Polypody I by Tomasz Bednarczyk to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Future Nature | Arp | E♭ Major | 2 | 5B | 81 BPM | ||
| All at Once | Quartz Rosa | B♭ Minor | 1 | 3A | 84 BPM | ||
| Echo Diffusion | 36 | A Minor | 3 | 8A | 120 BPM | ||
| Subdued Resonance | Tomasz Bednarczyk | F Major | 0 | 7B | 70 BPM | ||
| time forms a circle | Harpsichord Canvas, Orchid Mantis | G Minor | 2 | 6A | 125 BPM | ||
| Form 10.3 | K. Leimer | E Major | 0 | 12B | 77 BPM | ||
| futari no | MEITEI | D Major | 1 | 10B | 49 BPM | ||
| Imagining Peace | Desolate Horizons | F Minor | 3 | 4A | 72 BPM | ||
| Eleventh Sequence | 36 | D Minor | 3 | 7A | 123 BPM | ||
| Flow in the Back | KENJI KIHARA | G Major | 0 | 9B | 73 BPM | ||
| Returning After Leaving | ILUITEQ | F Minor | 2 | 4A | 89 BPM | ||
| Nadir | Sky's Memoirs | B Minor | 2 | 10A | 73 BPM | ||
| A Shaky Camera at the Edge of the World | Neighborhood Libraries | D Minor | 1 | 7A | 69 BPM | ||
| Foxton Stop Off | The Black Dog | E♭ Minor | 4 | 2A | 92 BPM | ||
| Repeater | Shuta Yasukochi | D Major | 3 | 10B | 85 BPM | ||
| Flock | Jogging House | E Major | 1 | 12B | 69 BPM | ||
| shedding | marine eyes | D♭ Major | 0 | 3B | 84 BPM | ||
| Looking Through The Mirror Of The Soul - Nailah Hunter Remix | Mark Barrott, Nailah Hunter | A Minor | 1 | 8A | 63 BPM | ||
| hushed | marine eyes | A♭ Major | 2 | 4B | 82 BPM | ||
| levelling out | ceremønials | A Minor | 1 | 8A | 80 BPM | ||
| I kustbandet | Snufmumriko | B♭ Major | 2 | 6B | 74 BPM | ||
| Undertones | pö om pö | A Major | 0 | 11B | 128 BPM | ||
| I Would Have Waited | Bvdub | E♭ Major | 2 | 5B | 140 BPM | ||
| Track 2 | Acoustic Levitation | C Major | 1 | 8B | 74 BPM | ||
| nullarbor (infinite horizon) | IKSRE | D Major | 2 | 10B | 115 BPM |