- BPM
- 59
- Key
- E♭ Major
- Camelot
- 5B
Interlude by Veronica Swift Song Details
"Interlude" by Veronica Swift had its release date on August 30, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 12 in Confessions by Veronica Swift. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Interlude is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of Interlude by Veronica Swift is Lento (slowly), since this song has a tempo of 59 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -13.0 dB
- Acousticness
- 80%
- Danceability
- 53%
- Energy
- 10%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 78%
- Speechiness
- 3%
- Valence
- 15%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sometimes I'm Happy | Carol Welsman | C Major | 3 | 8B | 122 BPM | |
 | You Hit the Spot | Connie Lansberg, Mark Fitzgibbon, Ben Hanlon, Peter Hodges | A Major | 4 | 11B | 103 BPM | |
 | Alone Together | Lara Louise, Grant Levin | B Minor | 6 | 10A | 85 BPM | |
 | (They Long to Be) Close to You | Ellas Kapell | F Major | 2 | 7B | 139 BPM | |
 | In the Wee Small Hours | Connie Lansberg, Mark Fitzgibbon, Ben Hanlon | B♭ Major | 2 | 6B | 43 BPM | |
 | Chega de Saudade | Veronica Swift | C Major | 3 | 8B | 99 BPM | |
 | A Beautiful Friendship | Alexis Cole, Bucky Pizzarelli | G Major | 3 | 9B | 110 BPM | |
 | A-Tisket, A-Tasket | April Varner | A♭ Major | 5 | 4B | 138 BPM | |
 | The Sound of Music | Martina DaSilva | E Minor | 2 | 9A | 70 BPM | |
 | Let's Sail Away | Jeff Rupert, Veronica Swift | C Major | 5 | 8B | 93 BPM | |
 | If You Could See Me Now | Vanessa Rubin | E Minor | 1 | 9A | 114 BPM | |
 | Only the Lonely | Lucy Yeghiazaryan | F Major | 0 | 7B | 93 BPM | |
 | And If You Please | Mario Romano, Jackie Richardson | C Major | 6 | 8B | 150 BPM | |
 | Lazy Afternoon | Heidi Skjerve, Daniel Formo, Bjørn Marius Hegge, Håkon Mjåset Johansen, Klaus Ellerhusen Holm, Marthe Belsvik Stavrum | F Major | 3 | 7B | 71 BPM | |
 | He Hit Me (And It Felt Like a Kiss) | Veronica Swift | C Minor | 0 | 5A | 141 BPM | |
 | Sequins on a Sunday Afternoon | Dannielle De Andrea | G Major | 3 | 9B | 84 BPM | |
 | The Man That Got Away | Jane Monheit | B♭ Major | 2 | 6B | 78 BPM | |
 | Three Cigarettes in an Ashtray | Lisa Bassenge | F Major | 1 | 7B | 83 BPM | |
 | I'm in Love | Connie Lansberg, Mark Fitzgibbon, Ben Hanlon, Peter Hodges | B Minor | 4 | 10A | 78 BPM | |
 | 12th Avenue | Caity Gyorgy | C Minor | 1 | 5A | 124 BPM | |
 | Nice Work If You Can Get It | Kristina Ray | D♭ Major | 3 | 3B | 75 BPM | |
 | Rag Doll | Scott Bradlee's Postmodern Jukebox, Veronica Swift | D♭ Major | 3 | 3B | 87 BPM | |
 | Too Much in Love to Care | Claire Martin, Kenny Barron | A Major | 5 | 11B | 147 BPM | |
 | It Might As Well Be Spring | Silva Thordardottir, Steingrímur Teague | E Major | 1 | 12B | 96 BPM | |
 | Old Cape Cod | Emma Smith | E♭ Major | 1 | 5B | 179 BPM |
- ISRC
- USMAR1914903
- Label
- L-M Records/RCA Records