Nocturne's 'They Come' had a release date set for 1999. This song is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Twilight". In this album, this song's track order is #14. Based on our statistics, They Come's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With They Come by Nocturne having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Anthem 2 | Jakalope | E Minor | 8 | 9A | 130 BPM | ||
| Exit Wound | Human Waste Project | G Major | 8 | 9B | 135 BPM | ||
| Everyone Dies (Rock Stars Don't Count) | Society 1 | A♭ Major | 9 | 4B | 165 BPM | ||
| Scars and Stripes | Angelspit | D♭ Major | 10 | 3B | 170 BPM | ||
| Hell of Being Cut to Pieces | Mojave Phone Booth | F Minor | 7 | 4A | 182 BPM | ||
| Crashing | Gravity Kills | B♭ Major | 7 | 6B | 179 BPM | ||
| Class War | Nocturne | A Minor | 10 | 8A | 156 BPM | ||
| The Last Man On Earth | Schoolyard Heroes | C Major | 5 | 8B | 118 BPM | ||
| Draw a Line and Cross It | Die So Fluid | F Minor | 7 | 4A | 117 BPM | ||
| Alive | Drain | C Minor | 9 | 5A | 120 BPM | ||
| Euphoria (Emirian Mix) | Collide, Charlie Clouser | F Major | 7 | 7B | 140 BPM | ||
| I Don’t Feel | Tapping The Vein | G Major | 9 | 9B | 96 BPM | ||
| Why Should I? | Sanguis et Cinis | E Minor | 8 | 9A | 140 BPM | ||
| Revengefuck | Zeromancer | G Major | 9 | 9B | 160 BPM | ||
| The Paralysis is Real | Acumen Nation | F♯ Major | 9 | 2B | 100 BPM | ||
| Inferno | Ego Likeness | A♭ Major | 9 | 4B | 135 BPM | ||
| Bring Me To Life - Live | Miami In Milan | E Minor | 9 | 9A | 93 BPM | ||
| Shine | Human Waste Project | G Major | 9 | 9B | 97 BPM | ||
| Break You Down | Godhead | E Major | 9 | 12B | 110 BPM | ||
| Tired Old Man | Godhead | B Major | 8 | 1B | 143 BPM | ||
| Elixir | Angelspit | C Minor | 10 | 5A | 141 BPM | ||
| flyblown | db9d9 | D♭ Major | 8 | 3B | 130 BPM | ||
| My Poison | Ayria | G Minor | 8 | 6A | 98 BPM | ||
| Not Everybody Gets a Happy Ending | Die So Fluid | G Major | 6 | 9B | 89 BPM | ||
| Beautiful Woman Hunter | Schoolyard Heroes | A Minor | 7 | 8A | 109 BPM |