Rajesh Khanna, Lata Mangeshkar, R. D. Burman's 'Raina Beeti Jaye - With Dialogues' had a release date set for January 28, 1972. This song is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The song is number 1 out of 8 in Amar Prem by R. D. Burman. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Raina Beeti Jaye - With Dialogues is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Raina Beeti Jaye - With Dialogues by Rajesh Khanna, Lata Mangeshkar, R. D. Burman is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aaj Phir Jeene Ki Tamanna Hai | Lata Mangeshkar | C Major | 3 | 8B | 107 BPM | ||
| Tumse Milkar Na Jane (Male Version) | Shabbir Kumar | E♭ Major | 5 | 5B | 102 BPM | ||
| Kisi Patthar Ki Murat Se | Mahendra Kapoor | F♯ Minor | 4 | 11A | 122 BPM | ||
| Woh Jab Yaad Aaye - Jhankar Beats | Hero And King Of Jhankar Studio, Lata Mangeshkar, Mohammed Rafi | A♭ Minor | 10 | 1A | 143 BPM | ||
| Aap Ki Nazron Ne Samjha (From "Anpadh") | Tabassum, Lata Mangeshkar | E Minor | 4 | 9A | 175 BPM | ||
| Aap Ke Aa Jane Se (From "Khudgarz") | Sadhana Sargam, Mohammed Aziz | D♭ Minor | 6 | 12A | 124 BPM | ||
| Teri Meherbaniyan | Shabbir Kumar | B♭ Minor | 6 | 3A | 138 BPM | ||
| Jate Huye Ye Pal Chhin Kyon | Ravindra Jain | B Minor | 6 | 10A | 93 BPM | ||
| Tum Bin Jaoon Kahan | Mohammed Rafi, R. D. Burman | B♭ Major | 5 | 6B | 114 BPM | ||
| Dekho Mera Dil Machal Gaya | Sharada, Shailendra | A Major | 7 | 11B | 130 BPM | ||
| Tere Naina Mere Naino Se | Suresh Wadkar, Anuradha Paudwal | B Major | 6 | 1B | 106 BPM | ||
| Mera Jeevan Kora Kagaz(Kora Kagaz) | Charanjit Singh | G Major | 3 | 9B | 93 BPM | ||
| Tumhi Mere Meet Ho | Suman Kalyanpur, Hemant Kumar, Kalyanji-Anandji | F♯ Major | 6 | 2B | 132 BPM | ||
| Samay O Dhire Chalo - Female Version, 1 | Bhupen Hazarika, Lata Mangeshkar | G Minor | 5 | 6A | 87 BPM | ||
| Yeh Raat Bheegi Bheegi (From "Chori Chori") | Manna Dey, Lata Mangeshkar | C Minor | 4 | 5A | 172 BPM | ||
| Diwano Se Mat Poochho | Mukesh, Kalyanji-Anandji | F♯ Major | 6 | 2B | 81 BPM | ||
| Jiska Koi Nahin - Manna Dey | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 96 BPM | ||
| Diye Jalte Hai Phool Khilte Hai | Kishore Kumar, R. D. Burman | E♭ Major | 5 | 5B | 186 BPM | ||
| Tumhen Ho Na Ho | Runa Laila | D♭ Major | 5 | 3B | 87 BPM | ||
| Dheere Se Aaja Ri Ankhiyan Mein | C. Ramchandra, Lata Mangeshkar | D♭ Major | 4 | 3B | 173 BPM | ||
| Deewana Mujhsa Nahin | Mohammed Rafi, R. D. Burman | A♭ Major | 3 | 4B | 134 BPM | ||
| Ankhiyan Milake - Zohrabai Ambalawali | Zohrabai Ambalawali | C Major | 4 | 8B | 114 BPM | ||
| Chand Akela Jaye Sakhi Ri | K. J. Yesudas | D Major | 3 | 10B | 153 BPM | ||
| Shyam Teri Bansi Pukare | Aarti Mukherji, Jaspal Singh | A♭ Minor | 5 | 1A | 122 BPM | ||
| Tu Maike Mat Jaiyo - From "Pukar" | Amitabh Bachchan, R. D. Burman | D♭ Major | 7 | 3B | 89 BPM |