Javier Camarena, Humberto Terán, Armando Garmendi, Red Studio's 'Popurrí Agustín Lara' had a release date set for January 27, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Serenata". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Mexico. Based on our statistics, Popurrí Agustín Lara's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Popurrí Agustín Lara by Javier Camarena, Humberto Terán, Armando Garmendi, Red Studio having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El barberillo de Lavapiés, Acto I: Lamparilla, Majas, Estudiantes, Majos y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Gran Orquesta Sinfonica, Teresa Berganza, Coro De Camara Del Orfeon Donostiarra, Carlos Munguia, Francisco Asenjo Barbieri | G Major | 4 | 9B | 116 BPM | ||
| Hay Amores | Antonio Gontijo Alves Pinto, Shakira Mebarak, José Manuel Zapata, Juan Francisco Padilla, Orquesta de Extremadura | A Minor | 8 | 8A | 106 BPM | ||
| Dale Fuego al Chaparral / Yo Tenía, Yo Tenía - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | C Major | 4 | 8B | 85 BPM | ||
| Perfidia | Javier Camarena | D♭ Major | 7 | 3B | 178 BPM | ||
| Los Gavilanes: "Amigos, siempre amigos" | Coro Cantores de Madrid, Teresa Berganza | A Major | 2 | 11B | 129 BPM | ||
| Roberto Devereux, A. 52: Ed ancor la tremenda porta | Gaetano Donizetti, Javier Camarena, Gli Originali, Riccardo Frizza | C Minor | 0 | 5A | 98 BPM | ||
| La Canción del Olvido: "Canción de Leonello" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Manuel Ausensi | D Major | 4 | 10B | 99 BPM | ||
| Perdón | Celso Albelo, Javier Camarena | G Minor | 4 | 6A | 96 BPM | ||
| Caro Elisir (Live) | Gaetano Donizetti, Riccardo Frizza, Orchestra Gli Originali, Javier Camarena, Caterina Sala | G Major | 2 | 9B | 174 BPM | ||
| Luisa Fernanda, Acto iii: Subir, subir y luego caer | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | E♭ Major | 2 | 5B | 76 BPM | ||
| No ignores lo que soy | Los Bravos De España | B Minor | 2 | 10A | 94 BPM | ||
| Luisa Fernanda, Acto ii: Mazurka de las sombrillas | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | B♭ Major | 2 | 6B | 81 BPM | ||
| Bachata rosa - Live | Angel Rodriguez, Javier Camarena | G Major | 3 | 9B | 113 BPM | ||
| La donna è mobile | Mario del Monaco | F Major | 3 | 7B | 89 BPM | ||
| Di por Qué - (En Vivo)[Centro Cultural Roberto Cantoral] | Javier Camarena | D Major | 3 | 10B | 84 BPM | ||
| Cantiam Cantiam - Le feste nuziali (Live) | Gaetano Donizetti, Riccardo Frizza, Orchestra Gli Originali, Coro Donizetti Opera, Roberto Frontali, Javier Camarena | C Major | 2 | 8B | 81 BPM | ||
| Muñeca Fea - (En Vivo)[Centro Cultural Roberto Cantoral] | Javier Camarena | E Major | 2 | 12B | 141 BPM | ||
| Tango del silencio | DJ CANARIO | A Minor | 3 | 8A | 117 BPM | ||
| La favorite, A. 58, Act III Scene 1: Me voici donc près d'elle ! | Gaetano Donizetti, Javier Camarena, Edoardo Milletti, Florian Sempey, Annalisa Stroppa, Donizetti Opera Orchestra, Riccardo Frizza | B♭ Minor | 1 | 3A | 76 BPM | ||
| La Quiero a Morir | Francis Cabrel, José Manuel Zapata, Juan Francisco Padilla, Orquesta de Extremadura | A Minor | 8 | 8A | 106 BPM | ||
| Munequita Linda | Carlos Greco, Bebu Silvetty | E♭ Major | 2 | 5B | 179 BPM | ||
| Con Tu Voz Enamoras | LOS TRAMPOSOS DEL NORTE | B Minor | 8 | 10A | 110 BPM | ||
| Barbieri: El barberillo de Lavapiés: "Canción de Paloma" | Lisette Oropesa | A Major | 2 | 11B | 142 BPM | ||
| L'Ultima Canzone | Francesco Paolo Tosti, Javier Camarena, Angel Rodriguez | G Major | 1 | 9B | 173 BPM | ||
| El Bazar de las Sombras | Wills Byers | E Major | 2 | 12B | 105 BPM |