Paul Lenart, Billy Novick's ' "Long Time Coming" was released on its scheduled release date, January 1, 2011. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Long Time Coming's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Lenart, Billy Novick, SFX's "Harlem Stride Piano" album is number 10 out of 16. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Long Time Coming's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Long Time Coming by Paul Lenart, Billy Novick to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4811 Watsworth | Rod Piazza | A Minor | 3 | 8A | 130 BPM | ||
| Driftin' from Town to Town | Barrelhouse Chuck & Kim Wilson's Blues All-Stars | D Major | 6 | 10B | 89 BPM | ||
| Holding the Cobra - Demo | Peter Ivers, Buell Neidlinger, Marty Krystall, Paul Lenart, Harold Mason | D♭ Major | 4 | 3B | 136 BPM | ||
| Noche De Tormentas | Instrumentalista, BluesBiz, Lost in Blues | D Major | 5 | 10B | 96 BPM | ||
| In Memory | David Barrett | D Major | 1 | 10B | 153 BPM | ||
| Frogtime Stagger | Mike Dowling | A Major | 2 | 11B | 96 BPM | ||
| Stop and Go Blues | Paul Lenart | D Major | 8 | 10B | 137 BPM | ||
| Madness | Paul Lenart, Billy Novick | C Minor | 7 | 5A | 123 BPM | ||
| It Hurts Me Too | Bruce Katz Band | D Major | 4 | 10B | 101 BPM | ||
| Doublecrossed & Blue | Chris Jones, Steve Baker | A Minor | 2 | 8A | 87 BPM | ||
| The Boss | William Clarke | B Minor | 7 | 10A | 106 BPM | ||
| Many Sparrows | Jeremy Spencer | E Major | 2 | 12B | 119 BPM | ||
| Lucky Shuffle | Jean-Pierre Bertrand, Frank Muschalle, Dani Gugolz, Peter Müller | G Major | 6 | 9B | 154 BPM | ||
| Jelly on a Plate | Paul Lenart, Duke Levine | C Major | 1 | 8B | 166 BPM | ||
| Easy | Big Walter Horton | C Minor | 6 | 5A | 83 BPM | ||
| Old Dog, New Tricks | Jim Byrnes | C Major | 6 | 8B | 116 BPM | ||
| Latenighters Under a Full Moon | Berdon Kirksaether & the Twang Bar Kings | F Minor | 4 | 4A | 91 BPM | ||
| Ain't That Just Like a Woman | Billy Boy Arnold | D♭ Minor | 7 | 12A | 78 BPM | ||
| The Gift Of Robert Charles | Curtis Salgado, Alan Hager | D Major | 1 | 10B | 101 BPM | ||
| Ferry Crossing Blues | Frank Muschalle, Stephan Holstein | B♭ Major | 2 | 6B | 78 BPM | ||
| Swamp Stomp | Paul Lenart, Duke Levine | G Major | 4 | 9B | 98 BPM | ||
| Don´t Go No Further | Hoochie Coochie Blues Band | B Minor | 7 | 10A | 135 BPM | ||
| New Orleans March | Paul Lenart, Bill Reynolds, Billy Novick, Mark Shane, Peter Ecklund | D Minor | 4 | 7A | 133 BPM | ||
| Fittin' To Go | Steve Freund | A Major | 6 | 11B | 108 BPM | ||
| Cool Claw Shuffle | Noir Jazz Cats | A Minor | 1 | 8A | 174 BPM |