"New York" by Daniel Blumberg had its release date on December 13, 2024. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 32 in the song's album "The Brutalist (Original Motion Picture Soundtrack)". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United States. Based on our statistics, New York's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With New York by Daniel Blumberg having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mean Alley | Jonny Greenwood | D Minor | 1 | 7A | 111 BPM | ||
| Mile's Theme | Rolfe Kent | E Minor | 4 | 9A | 121 BPM | ||
| If You Want Me To | Kris Bowers | B♭ Major | 3 | 6B | 94 BPM | ||
| Peas in a Pod | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| The Piano Lesson | Alexandre Desplat | A♭ Major | 3 | 4B | 135 BPM | ||
| Suite - From "Brazil" | David Newman, Varèse Sarabande Symphony Orchestra, Dan Higgins | E Minor | 2 | 9A | 73 BPM | ||
| Count G (Bonus Track) | Gordy Haab | G Minor | 4 | 6A | 105 BPM | ||
| The Firm (Main Title) | Dave Grusin | C Minor | 3 | 5A | 116 BPM | ||
| We Just Need A Little Space | Dave Porter | C Major | 1 | 8B | 74 BPM | ||
| Finale and End Credits | David Shire | E Minor | 2 | 9A | 138 BPM | ||
| Low Key Lightly | Duke Ellington | F Minor | 1 | 4A | 142 BPM | ||
| Moanin' - Instrumental | The Guy Barker International Quintet | F Minor | 3 | 4A | 143 BPM | ||
| Basement | Jerskin Fendrix | D♭ Minor | 1 | 12A | 124 BPM | ||
| Why Are You Going to New York | Christopher Bear, Daniel Rossen | F♯ Major | 3 | 2B | 115 BPM | ||
| We'll live through the long, long days, and through the long nights (Oto) | Eiko Ishibashi | A♭ Major | 0 | 4B | 125 BPM | ||
| Fondu a Child is Born | David Howard, Douglas Corbin | D Major | 1 | 10B | 127 BPM | ||
| The Big Heist | Henry Mancini | C Major | 2 | 8B | 121 BPM | ||
| Ripley - Instrumental | Harry Rabinowitz | D Minor | 3 | 7A | 112 BPM | ||
| Campagne-Première - Bande originale du film "À bout de souffle" | Martial Solal | B♭ Major | 3 | 6B | 86 BPM | ||
| Bristow & Bristow | Michael Giacchino | F Major | 2 | 7B | 90 BPM | ||
| Valérie - Bande originale du film "Le samouraï" | François de Roubaix | D♭ Major | 1 | 3B | 109 BPM | ||
| Danny / The Glove / Let’s Make the Best of It | Mark Orton | C Minor | 2 | 5A | 163 BPM | ||
| Blanche | Ray Heindorf | F Minor | 1 | 4A | 176 BPM | ||
| We'll live through the long, long days, and through the longnights (And when our last hour comes we'll go quietly) | Eiko Ishibashi | D♭ Major | 3 | 3B | 104 BPM | ||
| 22's Getaway | Jon Batiste | D♭ Major | 4 | 3B | 121 BPM |