New London Consort, Philip Pickett's ' "Dansereye (1551): Rondes I & VII" was released on its scheduled release date, September 16, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 15 in Elizabeth - Original Soundtrack by David Hirschfelder. Based on our statistics, Dansereye (1551): Rondes I & VII's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Dansereye (1551): Rondes I & VII by New London Consort, Philip Pickett is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Estampie Janus | Richard I of England, Millenarium | F♯ Major | 1 | 2B | 201 BPM | ||
| Shetland End Titles | John Lunn | D Major | 3 | 10B | 136 BPM | ||
| In Search Of The Grail | Trevor Jones | D Minor | 1 | 7A | 57 BPM | ||
| Six Years Later | Rachel Portman | G Major | 1 | 9B | 172 BPM | ||
| Concerto for Harpsichord, 2 Recorders, Strings & Continuo No. 6 in F Major, BWV 1057: I. — | Johann Sebastian Bach, Trevor Pinnock, Philip Pickett, Rachel Beckett, The English Concert | D Minor | 1 | 7A | 44 BPM | ||
| L'Orfeo - Prologo: Toccata | Claudio Monteverdi, New London Consort, Philip Pickett | D Major | 3 | 10B | 134 BPM | ||
| Jack & Aliana Make Love | Trevor Morris | E Minor | 3 | 9A | 74 BPM | ||
| Schiarazula Marazula (from ll primo libro de balli accomodati per cantar et sonar d'ogni sorte de instromenti) | Giorgio Mainerio, Dorothee Oberlinger | G Minor | 0 | 6A | 81 BPM | ||
| Breakout | Ronan Hardiman | A Major | 5 | 11B | 109 BPM | ||
| Chinon/Eleanor's Arrival | John Barry | C Major | 2 | 8B | 79 BPM | ||
| Schiarazula Marazula | Pierre Phalèse the Elder, Pierre Phalèse, The King's Noyse, David Douglass | F Major | 3 | 7B | 125 BPM | ||
| The Secret Fan | Rachel Portman | E Minor | 1 | 9A | 83 BPM | ||
| The Hope for Love | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
| The Showdown | Carter Burwell | G Major | 1 | 9B | 78 BPM | ||
| A Trip to Killburn | John Playford, Baltimore Consort | E Minor | 1 | 9A | 101 BPM | ||
| Dansereye (1551): Bergerette 'Dont vien cela'/Reprise | Tylman Susato, New London Consort, Philip Pickett | G Minor | 0 | 6A | 151 BPM | ||
| Danza / Dit Le Burguygnon | Eduardo Paniagua | D Minor | 3 | 7A | 90 BPM | ||
| Theme from Inspector Morse | London Metropolitan Orchestra | F Minor | 5 | 4A | 180 BPM | ||
| Im Maien | Piffaro | E Minor | 4 | 9A | 119 BPM | ||
| En remirant vo douce pourtraiture | Philippus de Caserta, New London Consort, Phillip Pickett | F Minor | 2 | 4A | 57 BPM | ||
| Kailash (feat. The BBC Concert Orchestra and the UK Chinese Ensemble) | Barnaby Taylor, BBC Concert Orchestra, UK Chinese Ensemble | G Minor | 2 | 6A | 81 BPM | ||
| The London Ball | Ruth Barrett | G Major | 0 | 9B | 70 BPM | ||
| L'Orfeo - Prologo: Ritornello-Dal mio Permesso amato | Claudio Monteverdi, Catherine Bott, New London Consort, Philip Pickett | D Minor | 1 | 7A | 84 BPM | ||
| Comin' Thro' The Rye | Bear McCreary | G Major | 2 | 9B | 99 BPM |