John Davidson's ' "Woman, Woman" was released on its scheduled release date, May 8, 1968. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in John Davidson's "Goin' Places" album is number 7 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Woman, Woman is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Woman, Woman by John Davidson to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Trolley Song | Carol Burnett | G Minor | 6 | 6A | 141 BPM | ||
| Main Title / Rock Island / Iowa Stubborn | The Travelling Salesmen | D Major | 7 | 10B | 112 BPM | ||
| Standing On the Corner | The Four Lads | G Major | 5 | 9B | 115 BPM | ||
| Chapter 13 - The Murder of Marion Miley | Beverly Bell, John Davidson, Colleen Delany, Peter Holdway, James Konicek, Kelsey D. Phelps | A♭ Minor | 3 | 1A | 122 BPM | ||
| Dog in the Wind | Teacher Henyu | E♭ Major | 6 | 5B | 102 BPM | ||
| The Company Way | Sammy Smith, Robert Morse | A♭ Minor | 3 | 1A | 122 BPM | ||
| My Cup Runneth Over | John Davidson | A Major | 2 | 11B | 61 BPM | ||
| You'll Never Walk Alone (Finale) | Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra | C Major | 2 | 8B | 86 BPM | ||
| Theme From "Valley of the Dolls" | John Davidson | A♭ Major | 2 | 4B | 80 BPM | ||
| What's The Use Of Wond'rin' | Barbara Ruick, Shirley Jones | C Major | 2 | 8B | 88 BPM | ||
| We Open in Venice - Extended Version | Kathryn Grayson, Howard Keel, Ann Miller, Tommy Rall | A♭ Major | 5 | 4B | 123 BPM | ||
| Kansas City | Charlotte Greenwood, Gene Nelson, Darcy M. Proper | C Major | 3 | 8B | 125 BPM | ||
| Road To Morocco: Ain't Got a Dime To My Name (Ho Hum) | Bob Hope | C Minor | 2 | 5A | 135 BPM | ||
| Tom Thumb's Tune | Russ Tamblyn | C Major | 2 | 8B | 122 BPM | ||
| I Whistle a Happy Tune | Marni Nixon, Rex Thompson, Chorus | A♭ Major | 3 | 4B | 179 BPM | ||
| I Couldn't Live Without Your Love | John Davidson | F Major | 4 | 7B | 137 BPM | ||
| My Fair Lady: I've Grown Accustomed to Her Face | Frederick Loewe, Rex Harrison, Franz Allers, Cyril Ornadel | C Major | 2 | 8B | 88 BPM | ||
| Climb Ev'ry Mountain | Peggy Wood | B♭ Major | 4 | 6B | 93 BPM | ||
| Some Enchanted Evening (From "South Pacific") | Mitzi Gaynor, Giorgio Tozzi | B♭ Major | 2 | 6B | 89 BPM | ||
| Lime Out! | Blue Pearl John, John Davidson | G Major | 5 | 9B | 158 BPM | ||
| Never Mind Bo Peep | Ann Jilliann, Mary McCarty | B♭ Major | 2 | 6B | 91 BPM | ||
| Tropical Healing | Blue Pearl John, John Davidson | F Major | 4 | 7B | 77 BPM | ||
| Chapter 38 - The Murder of Marion Miley | Beverly Bell, John Davidson, Colleen Delany, Peter Holdway, James Konicek, Kelsey D. Phelps | A♭ Minor | 3 | 1A | 122 BPM | ||
| Soliloquy (From Carousel) | Gordon MacRae | A Minor | 2 | 8A | 123 BPM | ||
| I'll Always Remember | John Davidson | B Major | 6 | 1B | 99 BPM |