"Processional To Calvary" by John Stainer, Andrew Kennedy, Neal Davies, Darius Battiwalla, Huddersfield Choral Society, Joseph Cullen had its release date on November 1, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 20 in the song's album "The Crucifixion". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Processional To Calvary is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Processional To Calvary by John Stainer, Andrew Kennedy, Neal Davies, Darius Battiwalla, Huddersfield Choral Society, Joseph Cullen having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Herder | University Of Pretoria Camerata | E Minor | 1 | 9A | 129 BPM | ||
| My Dear Redeemer | Tapestry Chamber Singers | A♭ Major | 1 | 4B | 86 BPM | ||
| O Valiant Hearts | Charles Harris, The Chapel Choir of the Royal Hospital Chelsea, Chelsea Pensioners, Hugh Rowlands, William Vann | E♭ Major | 1 | 5B | 132 BPM | ||
| He Leadeth Me | Bradbury, Gilmore, Ely Cathedral Choir, Paul Trepte | D Major | 1 | 10B | 181 BPM | ||
| Messe solennelle, Op. 16: I. Kyrie | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | D♭ Minor | 1 | 12A | 73 BPM | ||
| Psalm 47: O clap your hands together, all ye people | John Goss, The Choir Of Westminster Abbey, Martin Neary | A Major | 1 | 11B | 84 BPM | ||
| Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
| The Crucifixion: Processional to Calvary. Fling wide the Gates! For the Saviour waits (Tenor, Chorus) | John Stainer, Brian Kay, Martyn Hill, Margaret Philips, BBC Singers, Leith Hill Festival Singers | E Major | 2 | 12B | 79 BPM | ||
| Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 4. Yea, Amen! Let All Adore Thee | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 2 | 9B | 59 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
| Sun of My Soul SHZ 503 | Laestadian Lutheran Church, Krista Hillstrom | E♭ Major | 2 | 5B | 99 BPM | ||
| Psalm 150, 'O praise God in His holiness' | Charles Villiers Stanford, The Choir Of Westminster Abbey, Martin Neary | D♭ Major | 3 | 3B | 124 BPM | ||
| The Mass: Benedictus | Patrick Cassidy, Laude, David Harris, Christoph Bull | E♭ Major | 2 | 5B | 101 BPM | ||
| Nox Arumque | Eric Whitacre, Adrian Kirtley, 2024 Chamber, Timber Creek HS Chamber | B Major | 1 | 1B | 77 BPM | ||
| Lassus : "Ove d'altra montagna ombra non tocchi" | Orlande de Lassus, Wolfgang Helbich & Alsfeld Vocal Ensemble, Wolfgang Helbich | E♭ Major | 0 | 5B | 86 BPM | ||
| Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Les Cornets Noirs, Gerd Guglhör | E Minor | 1 | 9A | 68 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| Be Merciful unto Me, O God (Psalm 56) | Stanley Alcock, Gloriae Dei Cantores, Elizabeth C. Patterson | B♭ Minor | 1 | 3A | 100 BPM | ||
| The Crucifixion: I. Recit. – "And they came to a place named Gethsemane" | John Stainer, Liam Bonthrone, Imogen Morgan, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| The Crucifixion: Recitative & men's chorus: And one of the malefactors | John Stainer, The London Fox Choir & Orchestra | E Major | 2 | 12B | 75 BPM | ||
| Messe Solennelle, Op. 16 - Gloria | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A Major | 2 | 11B | 107 BPM | ||
| Mother of God, Here I stand | John Tavener, Irene Messoloras, Meridian | G Major | 1 | 9B | 86 BPM | ||
| It Is Meet | Georgy Sviridov, Ivanna Bondaruk, Credo Chamber Choir, Bogdan Plish | G Major | 0 | 9B | 131 BPM | ||
| Hereford "O Thou Who Camest from Above" | Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E♭ Major | 1 | 5B | 77 BPM | ||
| Psalm 27 | Edward Cutler, Choir of St John's, Elora, Michael Bloss, Noel Edison | A♭ Major | 1 | 4B | 126 BPM |