"The Lost Boy Chase" by John Williams had its release date on November 26, 1991. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Williams's "Hook (Original Motion Picture Soundtrack)" album is number 9 out of 17. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Lost Boy Chase is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Lost Boy Chase by John Williams to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clear All Moorings - Star Trek VI/Soundtrack Version | Cliff Eidelman | D Major | 1 | 10B | 71 BPM | ||
| Wise One | Bear McCreary | F Minor | 2 | 4A | 91 BPM | ||
| Port of Messenia | Bear McCreary | E Minor | 1 | 9A | 75 BPM | ||
| Suite From Hathor | Original Soundtrack | C Major | 1 | 8B | 121 BPM | ||
| The Mirror | Philip Glass | G Minor | 2 | 6A | 132 BPM | ||
| The World Beneath | Trevor Jones | A Major | 0 | 11B | 80 BPM | ||
| The Sanctuary | Bear McCreary | E Minor | 1 | 9A | 75 BPM | ||
| Arthur and the Madness of Love | Rohan Stevenson | B♭ Minor | 2 | 3A | 109 BPM | ||
| Sloth & Chunk | Dave Grusin | A♭ Major | 4 | 4B | 116 BPM | ||
| The Chronicles Of Narnia - The Journey To Harfang | Philharmonia Orchestra, Geoffrey Burgon | B Minor | 1 | 10A | 118 BPM | ||
| The Mouse | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 53 BPM | ||
| Flight Through Never land | Joel McNeely | C Major | 3 | 8B | 76 BPM | ||
| Going To The Ball | George Fenton | G Major | 2 | 9B | 117 BPM | ||
| Old Town | Declan Seth, Morgan Richards | F♯ Major | 1 | 2B | 105 BPM | ||
| Treasure, Data & Mouth And Walk The Plank | Dave Grusin | C Major | 2 | 8B | 120 BPM | ||
| The House Cup | J Scott Rakozy, Hogwarts Legacy | G Major | 3 | 9B | 87 BPM | ||
| If You Were Flying | James Shearman | G Major | 5 | 9B | 121 BPM | ||
| A Fitting New Home | J Scott Rakozy, Hogwarts Legacy | G Major | 2 | 9B | 131 BPM | ||
| Eragon | James Shearman | D Major | 6 | 10B | 172 BPM | ||
| Mama & Sloth | Dave Grusin | D♭ Major | 3 | 3B | 54 BPM | ||
| Super Tuesday | W.G. Snuffy Walden | G Major | 2 | 9B | 99 BPM | ||
| Dinotopia Main Theme | Trevor Jones | D Major | 2 | 10B | 116 BPM | ||
| Jane Can Fly | Joel McNeely | C Major | 4 | 8B | 141 BPM | ||
| Meeting Mrs. Doubtfire | Howard Shore | F Major | 0 | 7B | 85 BPM | ||
| First President | Joseph Vitarelli | E♭ Major | 2 | 5B | 34 BPM |