- BPM
- 197
- Key
- F Major
- Camelot
- 7B
Yesterday's Dreams by Helen Habershon, John Lenehan Song Details
"Yesterday's Dreams" by Helen Habershon, John Lenehan had its release date on March 11, 2022. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Yesterday's Dreams's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 19 in Found in Dreams by Helen Habershon, John Lenehan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Yesterday's Dreams is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Yesterday's Dreams by Helen Habershon, John Lenehan is Presto (very, very fast), since this song has a tempo of 197 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 16%
- Loudness
- -26.768 dB
- Acousticness
- 99%
- Danceability
- 35%
- Energy
- 2%
- Instrumentalness
- 91%
- Liveness
- 10%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Fantasiestücke, Op. 73 (Transcr. for Oboe and Piano by Victor Aviat): I. Zart und mit Ausdruck | Robert Schumann, Victor Aviat, Kim Barbier | E Major | 1 | 12B | 107 BPM | |
 | Schumann: Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Anneleen Lenaerts, Dionysis Grammenos | A Major | 0 | 11B | 114 BPM | |
 | Altar de Viento: I. Luz Eólica | Orquesta Sinfónica de Heredia, Eddie Mora, Alejandro Escuer | F♯ Major | 3 | 2B | 80 BPM | |
 | Images, Suite No. 3, Op. 35: I. Les ânesses grises sur la route d’El-Azib | Marcel Tournier, Emmanuel Ceysson, Quatuor Voce | G Minor | 0 | 6A | 135 BPM | |
 | Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 1, Nicht schnell | Robert Schumann, Albrecht Mayer, Markus Becker | A Minor | 0 | 8A | 77 BPM | |
 | Sweet and Low (arr. J. Lloyd Webber for 2 cellos and piano) | Joseph Barnby, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | C Major | 1 | 8B | 81 BPM | |
 | Intermezzo - Clarinet and String Orchestra | Michele Mangani, Seunghee Lee, Manhattan Chamber Players | F Major | 1 | 7B | 74 BPM | |
 | Piano Quintet in B Minor, Op. 74: II. Larghetto | Ferdinand Ries, Klavierquintett Wien | C Minor | 4 | 5A | 136 BPM | |
 | Poulenc: Sextet for Piano and Winds, FP 100: I. Allegro vivace | Francis Poulenc, Les Vents Français | E Minor | 1 | 9A | 76 BPM | |
 | Grand Duet in E-Flat Minor (Version for Harp & Piano): II. Adagio | John Thomas, Duo Praxedis | E♭ Minor | 1 | 2A | 60 BPM | |
 | The Bronze Horseman (Arr. J. Lenehan): II. Andante | Helen Habershon, Andrew Fuller, John Lenehan | A Minor | 1 | 8A | 89 BPM | |
 | 7 Canciones populares españolas: No. 5, Nana (Arr. for Oboe & Harp by Anonymous) | Manuel de Falla, Alex Klein, Rita Costanzi | E♭ Minor | 3 | 2A | 161 BPM | |
 | Mother and Child: No. 6, Baby (Arr. J. Lloyd Webber for cello and piano) | John Ireland, Julian Lloyd Webber, John Lenehan | G Major | 0 | 9B | 62 BPM | |
 | Le Bel Aujourd'hui | Richard Harvey, John Lenehan | G Major | 0 | 9B | 97 BPM | |
 | 8 Pieces, Op. 83: III. Andante con moto – Andante | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 63 BPM | |
 | Einaudi: Una Mattina - Arr. for Piano by John Lenehan | Ludovico Einaudi, John Lenehan | A Minor | 0 | 8A | 70 BPM | |
 | 8 Humoresques, Op. 101, B. 187, No. 7. Poco lento e grazioso in G-Flat Major: 8 Humoresques, Op. 101, B. 187: No. 7, Poco lento e grazioso in G-Flat Major (Arr. G. Saenger) | Antonín Dvořák, Jaime Laredo, Margo Garrett | G Major | 0 | 9B | 84 BPM | |
 | Les comédiens (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | |
 | Scarlatti: Sonata in A Major, K 208 | Domenico Scarlatti, Lavinia Meijer | E Major | 1 | 12B | 107 BPM | |
 | Lieder ohne Worte VIII, Op. 102: I. Andante un poco agitato, MWV U162 (Arr. Ottensamer for Clarinet & Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | E Minor | 0 | 9A | 133 BPM | |
 | Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | |
 | Tonada Y Cueca: Tonada | Carlos Guastavino, Marcela Roggeri, Florent Héau | B♭ Minor | 0 | 3A | 135 BPM | |
 | Thaïs: Méditation (Arr. A. de la Vega for Flute & Piano) | Jules Massenet, Ana de la Vega, Paul Rivinius | D Major | 1 | 10B | 88 BPM | |
 | Trois petites pièces: Chanson | Augusta Holmès, Juliette Hurel, Hélène Couvert | D Major | 0 | 10B | 70 BPM | |
 | La La Land | Justin Hurwitz, John Lenehan | F♯ Minor | 0 | 11A | 125 BPM |
- ISRC
- GBBDZ2132080
- Label
- L-M Records/RCA Records