On March 17, 2014, the song "Corporate Funk" was released by Alan Fillip, Mac Prindy. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Corporate Funk's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alan Fillip, Mac Prindy's "Launch Party" album is number 10 out of 12. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Corporate Funk is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Corporate Funk by Alan Fillip, Mac Prindy to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Atlantida | Dabby West, Dabian Mimto | A♭ Major | 6 | 4B | 95 BPM | ||
| Girly Low Power | Hermanos Ferrando | E♭ Major | 7 | 5B | 160 BPM | ||
| Arizona Modern | Chris Reyman | E♭ Major | 1 | 5B | 72 BPM | ||
| Gladiolus Rag (Second) | Moog's Children | D Major | 7 | 10B | 105 BPM | ||
| Atramentous Anamnesis | Prismdecay | D Major | 3 | 10B | 158 BPM | ||
| bale start | オレンジかもしれない | D Major | 1 | 10B | 120 BPM | ||
| 4 Billion | Martin Phipps, Benji Merrison | D Major | 1 | 10B | 120 BPM | ||
| Trace It | Skrya | D♭ Minor | 5 | 12A | 120 BPM | ||
| That Innie | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM | ||
| Marooned Drone | Alan Fillip | C Major | 4 | 8B | 120 BPM | ||
| Innercity | Ceyran Huseynova, Feirn Mont | C Major | 1 | 8B | 79 BPM | ||
| The Lost Coast | Atmospheric River | A Minor | 4 | 8A | 120 BPM | ||
| Cat's Eye - Intro | Alan Silvestri | D♭ Minor | 4 | 12A | 64 BPM | ||
| Metroid Prime 3 | God's Builder | C Major | 6 | 8B | 90 BPM | ||
| Siarnaq | Enizzyo | C Major | 3 | 8B | 130 BPM | ||
| Cosmonauta | Non Binary | F Major | 6 | 7B | 90 BPM | ||
| Theme Song Decision | David Nethers | D Major | 1 | 10B | 120 BPM | ||
| Pretend to Wake Up | Max Anson | D Major | 2 | 10B | 127 BPM | ||
| Pulsating Industry | Alan Fillip | B Minor | 4 | 10A | 92 BPM | ||
| S/2018 J 4 | Enizzyo | C Major | 4 | 8B | 125 BPM | ||
| Creep State | The Great Vorelli | F♯ Minor | 2 | 11A | 143 BPM | ||
| Umanoide | Non Binary | D♭ Major | 3 | 3B | 100 BPM | ||
| Dance with Me | Liliya Kumar, Lofi Chills | B♭ Minor | 2 | 3A | 120 BPM | ||
| Solar System | Alan Fillip, Mac Prindy | G Major | 5 | 9B | 120 BPM | ||
| Rizia Main Theme | James Spence | D Major | 0 | 10B | 100 BPM |