Christopher Haigh's 'My Ladys Favour' had a release date set for June 19, 1997. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. My Ladys Favour's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 26 in English Folk by Christopher Haigh. My Ladys Favour is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of My Ladys Favour by Christopher Haigh is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Until The Last Breath | Universal Production Music | D Minor | 4 | 7A | 97 BPM | ||
| Tears of Oppression | Christopher Haigh | G Minor | 4 | 6A | 118 BPM | ||
| Force of Time | Alex Richstein, Phoenix Music | D Minor | 6 | 7A | 100 BPM | ||
| The Summit (Nyneve) | Arn Andersson, Mark Brittingham, Merethe Soltvedt | G Major | 6 | 9B | 100 BPM | ||
| Rolling English Road | Christopher Haigh | A Major | 5 | 11B | 132 BPM | ||
| Rise Above | Rob Taylor, Amadea Music Productions | A♭ Major | 4 | 4B | 114 BPM | ||
| Our Only Hope | Christopher Haigh | F Minor | 5 | 4A | 128 BPM | ||
| Always (Dumbledore's Farewell) from Harry Potter and Half Blood Prince pt. II | Cinematic Fusion | A Minor | 3 | 8A | 111 BPM | ||
| View On the Stars | Soundcritters | A Minor | 6 | 8A | 90 BPM | ||
| Through the Maelstrom | Alex Moukala | B♭ Minor | 6 | 3A | 154 BPM | ||
| Leaving the Old World | Bytheway-May | D Minor | 2 | 7A | 65 BPM | ||
| Flock of El | Paul Silva | F Major | 2 | 7B | 100 BPM | ||
| Justice Served | NINJA TRACKS | E Minor | 5 | 9A | 83 BPM | ||
| Beckoning | Tom Player | C Major | 6 | 8B | 148 BPM | ||
| Never Fade Away | Philipp Klein | G Minor | 5 | 6A | 117 BPM | ||
| Forgiven | City of the Fallen | A Minor | 6 | 8A | 90 BPM | ||
| Your Story Has to Start Now | Gabriel Salcedo, Epic Music World | E Major | 3 | 12B | 80 BPM | ||
| Murmur | FirstCom Cinematic Orchestra | G Minor | 8 | 6A | 120 BPM | ||
| Celestial Tempest | Darren Leigh Purkiss, Christopher Haigh | G Major | 6 | 9B | 121 BPM | ||
| Take Me to Your Leader | Kári Sigurðsson | C Major | 7 | 8B | 120 BPM | ||
| Days Gone By | Ray Okerman | F♯ Minor | 4 | 11A | 124 BPM | ||
| Wind of Freedom | J.T. Peterson | C Major | 3 | 8B | 150 BPM | ||
| Reunion | Fractured Light Music | G Major | 0 | 9B | 127 BPM | ||
| Road to Victory | Veigar Margeirsson | A Major | 2 | 11B | 81 BPM | ||
| Nothing Left to Lose (Extended) | Sean Redmond | D♭ Minor | 4 | 12A | 118 BPM |