"描く" by 加藤久貴 had its release date on April 1, 2022. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. 描く's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 「湯あがりスケッチ」オリジナル・サウンドトラック, so we believe that "描く" is a single. 描く is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 描く by 加藤久貴 is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Marginalia #183 | Masakatsu Takagi | G Major | 3 | 9B | 100 BPM | ||
| Lantern | Rui Fujishiro | F Major | 0 | 7B | 77 BPM | ||
| Murmured | yutakayanagi | F Major | 0 | 7B | 77 BPM | ||
| The Promise to Be Kept | 加藤久貴 | G Minor | 1 | 6A | 160 BPM | ||
| Waterways | Motohiro Nakashima | C Major | 6 | 8B | 175 BPM | ||
| 湖 | 加藤久貴 | D Major | 1 | 10B | 0 BPM | ||
| Scene II, Kyoto | 阿部海太郎 | G Major | 0 | 9B | 143 BPM | ||
| ブルーモルフォ | 加藤久貴 | A♭ Major | 0 | 4B | 140 BPM | ||
| Quiet Spring | Yoko Komatsu | E♭ Major | 0 | 5B | 131 BPM | ||
| Midnight in echo room | MIZ | D Minor | 0 | 7A | 82 BPM | ||
| 交響曲第25番ト短調より K.183 第1楽章 | 加藤久貴 | G Minor | 2 | 6A | 78 BPM | ||
| Yoti g | Miyauchi Yuri | B Major | 1 | 1B | 76 BPM | ||
| Waltz for Nowhere | Danny Norbury | G Major | 2 | 9B | 164 BPM | ||
| 理由 | 加藤久貴 | D Major | 3 | 10B | 77 BPM | ||
| 離れているということ | 田辺玄 | D Major | 2 | 10B | 124 BPM | ||
| Days Passing By | Rayons | A♭ Major | 0 | 4B | 116 BPM | ||
| for Zoya in China | Gia Margaret | C Major | 2 | 8B | 169 BPM | ||
| Stinging | Iwamura Ryuta | D♭ Minor | 1 | 12A | 124 BPM | ||
| bird dance | 田辺玄 | D Major | 0 | 10B | 70 BPM | ||
| Marginalia #36 | Masakatsu Takagi | A♭ Major | 1 | 4B | 77 BPM | ||
| Yoti e | Miyauchi Yuri | E Major | 3 | 12B | 94 BPM | ||
| Shapes in Time | Lullatone | D Minor | 2 | 7A | 138 BPM | ||
| Pouring | Iwamura Ryuta | A Major | 1 | 11B | 128 BPM | ||
| Rescue Him | Martin Gazzarrini | E♭ Major | 1 | 5B | 76 BPM | ||
| What is Art? What is Beauty? | 加藤久貴 | E Major | 3 | 12B | 177 BPM |