"I Know Where I'm Going" by Traditional, Laura Wright, Barry Wordsworth, Royal Philharmonic Orchestra had its release date on January 1, 2011. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "The Last Rose". In this album, this song's track order is #2. I Know Where I'm Going is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With I Know Where I'm Going by Traditional, Laura Wright, Barry Wordsworth, Royal Philharmonic Orchestra having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In the Lord Is My Joy | Margaret Rizza | C Minor | 1 | 5A | 77 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Houd Mij Vast | Pieter Jan Leusink, Urker Mannen Ensemble, Chr. Brassband Pro Rege, Siemen Hoekstra | E Minor | 1 | 9A | 91 BPM | ||
| Lieux enchantés : petit jardin plein d'ombre (extrait de « henriette ») | René Morax, François Margot, Gustave Doret, André Charlet, Choeur Pro Arte de Lausanne | A Major | 3 | 11B | 104 BPM | ||
| Traditional: Introitus Dominica Pentecostes "Spiritus Domini" | Traditional, Cistercian Monks of Stift Heiligenkreuz | E♭ Major | 0 | 5B | 65 BPM | ||
| Gloria in Excelsis | Eikona, Choirs Of Annunciation Byzantine Catholic Church, Monastery Choir of St. John of San Francisco, Isauria | A♭ Minor | 2 | 1A | 102 BPM | ||
| Adventus Dei | Medieval Voices | D Major | 1 | 10B | 83 BPM | ||
| Spes Humilium | Gregorian Monk, Monks Of The Abbey Of Notre Dame, Cantori Gregoriani, Gregorian Chants | F♯ Minor | 0 | 11A | 88 BPM | ||
| Tallis: O Lord, Give Thy Holy Spirit | The Tallis Scholars, Peter Phillips | B♭ Minor | 1 | 3A | 80 BPM | ||
| Quis est homo | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | D Major | 2 | 10B | 113 BPM | ||
| Adesto dolori meo | Jacob Clemens non Papa, Musica Sacra | B♭ Major | 1 | 6B | 87 BPM | ||
| Sleep Dearie Sleep | Ben J W Anthony | D Major | 3 | 10B | 143 BPM | ||
| 2 Partsongs, Op. 26: No. 1, The Snow | Edward Elgar, Bavarian Radio Chorus, Radoslaw Szulc, Julita Smoleń, Max Hanft, Howard Arman | E Minor | 1 | 9A | 81 BPM | ||
| Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 83 BPM | ||
| Author of Light | Thomas Campion, Grace Davidson, Julian Perkins | F♯ Minor | 0 | 11A | 88 BPM | ||
| Noël nouvelet "Now the Green Blade Riseth from the Buried Grain" | Traditional, Ely Cathedral Choir, Scott Farrell, Paul Trepte | D Major | 2 | 10B | 85 BPM | ||
| Love Is Come Again | Traditional, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 3 | 6B | 116 BPM | ||
| Maria Magdalene | Francisco Guerrero, The Rose Ensemble, Jordan Sramek | F Major | 1 | 7B | 72 BPM | ||
| Bogoroditse Devo, raduysia | Sergey Khvoshchinsky, The Rose Ensemble, Jordan Sramek | E♭ Major | 2 | 5B | 87 BPM | ||
| Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM | ||
| Intermezzo sinfonico, from Symphonic Poetry | State R&T Symphony Orchestra Moscow | F Major | 3 | 7B | 79 BPM | ||
| A Worcester Ladymass: O Maria virgo pia | Traditional, Trio Mediæval | A Minor | 0 | 8A | 80 BPM | ||
| Kinderszenen, Op. 15: No. 7, Träumerei (Arr. H. Villa-Lobos for Choir) | Robert Schumann, Orquestra Sinfônica do Estado de São Paulo, Valentina Peleggi | C Major | 5 | 8B | 135 BPM |