Marc-Antoine Chaprentier, Instrumental, Jordi Savall, Le Concert Des Nations's 'In Nativitatem Domini Canticum, H. 416: Nuit (interlude Instrumental pour cordes)' had a release date set for December 20, 2024. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 16 in Charpentier: Baroque Christmas by Marc-Antoine Chaprentier, Marc-Antoine Charpentier, Jordi Savall, Le Concert Des Nations. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In Nativitatem Domini Canticum, H. 416: Nuit (interlude Instrumental pour cordes) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In Nativitatem Domini Canticum, H. 416: Nuit (interlude Instrumental pour cordes) by Marc-Antoine Chaprentier, Instrumental, Jordi Savall, Le Concert Des Nations is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Votiva in E Minor, ZWV 18: VII. Qui Tollis | Jan Dismas Zelenka, Collegium 1704, Václav Luks, Hana Blaziková | F♯ Minor | 2 | 11A | 128 BPM | ||
| Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
| Ich danke dir Gott | Heinrich Bach, Vox Luminis, Lionel Meunier | C Major | 2 | 8B | 109 BPM | ||
| Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
| Vespro della Beata Vergine, SV 206: XIIIf. Magnificat "Fecit potentiam in brachio suo" | Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Collegium Vocale Gent | E Major | 1 | 12B | 92 BPM | ||
| Messe de Requiem, Introitus: No. 2, Te decet hymnus Deus | André Campra, Sébastien Daucé, Ensemble Correspondances | E♭ Major | 2 | 5B | 93 BPM | ||
| Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Bleib bei uns, denn es will Abend werden, BWV 6: Chorale. Ach bleib bei uns, Herr Jesu Christ (Soprano) | Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | F♯ Minor | 0 | 11A | 102 BPM | ||
| Fantasia, VdGS No. 4 | Thomas Brewer, Ricercar Consort, Philippe Pierlot | B Minor | 1 | 10A | 75 BPM | ||
| Ave dulcissima Maria | Bartolomeo Barbarino, Gerlinde Sämann, Ecco la musica | F♯ Major | 1 | 2B | 89 BPM | ||
| Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Salve mundi salutare | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Messe de Minuit, H. 9: Agnus Dei | Marc-Antoine Charpentier, Sébastien Daucé, Ensemble Corrrespondances, Randol Rodriguez, Etienne Bazola | C Major | 1 | 8B | 79 BPM | ||
| Messe de requiem: VI. Agnus Dei | André Campra, Philippe Herreweghe, La Chapelle Royale, Orchestre de La Chapelle Royale | G Major | 1 | 9B | 74 BPM | ||
| Domine, ne in furore, SV 298 | Claudio Monteverdi, Margaret Phillips, Harry Christophers, The Sixteen | B Major | 1 | 1B | 105 BPM | ||
| Magnificat en sol mineur, RV 610: VIII. Sicut locutus est | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Damien Guillon, David Munderloh, La Capella Reial De Catalunya, Le Concert Des Nations | D♭ Major | 2 | 3B | 142 BPM | ||
| Missa Tempore Quadragesimae, MH 553: Credo. Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 167 BPM | ||
| Care charminge sleepe | Robert Johnson, Ruby Hughes, Jonas Nordberg | E♭ Minor | 1 | 2A | 81 BPM | ||
| Couperin, L: Chaconne, G. 55 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Major | 1 | 8B | 101 BPM | ||
| Isorhythmic Motets: Ecclesie militantis - Sanctorium arbitrio - Bella canunt gentes | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 2 | 7A | 82 BPM | ||
| David | Pietro Reggio, Reginald Mobley, Brandon J. Acker, Douglas Balliett | A♭ Major | 0 | 4B | 66 BPM | ||
| Credo, RV. 591: Coro "Et incarnatus est" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | ||
| Mottetorum I: Beata es, virgo Maria | Giovanni Pierluigi da Palestrina, Le Concert Spirituel, Herve Niquet | G Major | 1 | 9B | 87 BPM | ||
| Dowland: First Book of Songs or Ayres: No. 5, Can She Excuse My Wrongs? | John Dowland, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Jess Dandy, Laurence Kilsby | D♭ Minor | 3 | 12A | 143 BPM | ||
| Cessez mortels de soupirer | Pierre Guédron, Claire Lefilliâtre, Marc Pontus, Serge Goubioud, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 109 BPM |