"Rising Tides Battle" by Hyperduck Soundworks had its release date on August 4, 2013. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Rising Tides Battle's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hyperduck Soundworks's "Kingdom Rush: Frontiers" album is number 15 out of 20. The popularity of Rising Tides Battle is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rising Tides Battle by Hyperduck Soundworks to be Presto (very, very fast) because the track has a tempo of 200 BPM, a half-time of 100BPM, and a double-time of 400 BPM. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Frontiers Map | Hyperduck Soundworks | E Major | 4 | 12B | 86 BPM | ||
| How About A Round Of Gwent? | Mikolai Stroinski | C Major | 6 | 8B | 82 BPM | ||
| Defending the Gate | Jeremy Soule, The Elder Scrolls | E Minor | 4 | 9A | 84 BPM | ||
| The Dragon Thrashed and Wailed | Justin Bell | E Major | 3 | 12B | 150 BPM | ||
| Moving Ground | Christophe Héral | A Minor | 4 | 8A | 96 BPM | ||
| Rise of a New Hunter | 堀諭史 | B♭ Minor | 2 | 3A | 82 BPM | ||
| Prologue "We Push.." | Johan Söderqvist, Patrik Andrén | B♭ Minor | 3 | 3A | 64 BPM | ||
| Combat in the Ruins | Stuart Chatwood | G Major | 9 | 9B | 150 BPM | ||
| Keeper of Hades - Vaal Hazak | Akihiko Narita | G Major | 5 | 9B | 134 BPM | ||
| 117 | Neil Davidge | B Minor | 6 | 10A | 85 BPM | ||
| Wave Cycles | Josh Whelchel, Hyperduck Soundworks | D Major | 6 | 10B | 146 BPM | ||
| The Death of Kage-Sama | Filippo Beck Peccoz | A Minor | 3 | 8A | 111 BPM | ||
| Drive Them Back | Marcin Przybyłowicz | D Major | 5 | 10B | 109 BPM | ||
| Anomaly in the Forest | Zhenlan Kang, Akihiko Narita | B Minor | 8 | 10A | 144 BPM | ||
| Cornerstone of the New World - Astera | TADAYOSHI MAKINO | C Major | 2 | 8B | 76 BPM | ||
| Canto IX Boss 1 Battle Theme | Everything Fantasy | F Minor | 5 | 4A | 83 BPM | ||
| Cosmo Canyon Region - Battle Edit - FF7 Rebirth OST Ver. | 植松 伸夫 | F Minor | 5 | 4A | 83 BPM | ||
| The Rampage | 堀諭史 | D♭ Major | 4 | 3B | 138 BPM | ||
| Ode to Liberty | Wilbert Roget, II | B♭ Major | 5 | 6B | 108 BPM | ||
| Darkhell contre-attaque - Bande originale du film "Les Légendaires" | Cécile Corbel, Simon Caby | F Minor | 5 | 4A | 83 BPM | ||
| The City | Clark Aboud | F♯ Minor | 2 | 11A | 108 BPM | ||
| Desert Battle II | Hyperduck Soundworks | C Major | 6 | 8B | 110 BPM | ||
| Makin' a Sweep | Frank Klepacki | G Major | 4 | 9B | 90 BPM | ||
| Dead Cells | Yoann Laulan | C Minor | 2 | 5A | 160 BPM | ||
| Tale of the Five | YUKO KOMIYAMA | F♯ Minor | 3 | 11A | 97 BPM |