"See What I've Become" by Zack Hemsey, London Music Works had its release date on April 21, 2023. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 15 in Epic Themes III by London Music Works. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, See What I've Become's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of See What I've Become by Zack Hemsey, London Music Works is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liberation | Tybercore | E Minor | 7 | 9A | 101 BPM | ||
| We Are Gods | Harry Lightfoot, London Music Works | A♭ Major | 6 | 4B | 171 BPM | ||
| Freyas Bow | Dean Valentine | B Minor | 0 | 10A | 75 BPM | ||
| United We Stand | Matias Puumala | G Major | 7 | 9B | 83 BPM | ||
| Redemption | Zack Hemsey | E Minor | 7 | 9A | 136 BPM | ||
| Forgotten Land | Tunetank | A♭ Major | 6 | 4B | 135 BPM | ||
| The Darkness Within | Wessam Lauf | A♭ Minor | 3 | 1A | 127 BPM | ||
| Like a Prayer | Deadpool & Wolverine - Epic Orchestral Version | Vagda Music | D♭ Major | 8 | 3B | 145 BPM | ||
| Dawn of Heroes | Brian Delgado | F♯ Major | 6 | 2B | 98 BPM | ||
| Rescue Continues | Rupert Gregson-Williams | E Minor | 4 | 9A | 122 BPM | ||
| Hidden Gods | Tunetank | F Minor | 9 | 4A | 150 BPM | ||
| Beyond | Ghostwriter | D Major | 5 | 10B | 85 BPM | ||
| Lockdown | Steve Jablonsky | F Minor | 3 | 4A | 60 BPM | ||
| Uprising Of The Gods | Federico Corradini | F Minor | 6 | 4A | 117 BPM | ||
| The World After | Brian Delgado | C Major | 5 | 8B | 179 BPM | ||
| For Death and Glory | Phil Rey | D♭ Major | 7 | 3B | 168 BPM | ||
| Synergy | TURPAK | D♭ Minor | 3 | 12A | 87 BPM | ||
| Until Valhalla | Kevin Graham | E Major | 4 | 12B | 111 BPM | ||
| Post Mortem | derani | B Minor | 5 | 10A | 125 BPM | ||
| Find The Old Conor | Nathan Klein | F Major | 3 | 7B | 107 BPM | ||
| Last Man Standing | derani | D Minor | 5 | 7A | 180 BPM | ||
| We Rise | Sybrid | D Minor | 6 | 7A | 93 BPM | ||
| Alexander The Great | Taran Mitchell | D Major | 4 | 10B | 70 BPM | ||
| Spirited Shift | London Music Works, Evan Jolly | A Minor | 7 | 8A | 73 BPM | ||
| Into The Storm | Mitchell Broom | A Minor | 5 | 8A | 120 BPM |