"Let it Play" by Peter Michael Hamel had its release date on January 1, 1983. This song appears to be safe for all ages as it is not explicit. The track order of this song in Peter Michael Hamel's "Hamel, P.M.: Transition" album is number 1 out of 5. The popularity of Let it Play is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Let it Play by Peter Michael Hamel to be Presto (very, very fast) because the track has a tempo of 186 BPM, a half-time of 93BPM, and a double-time of 372 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Levi's Synth | Khotin | B♭ Major | 4 | 6B | 69 BPM | ||
| Black White Felt | Roedelius, Arnold Kasar | G Major | 1 | 9B | 92 BPM | ||
| A Long Standing Dream | Pablo's Eye | G Minor | 3 | 6A | 152 BPM | ||
| Bridgestone 4 | Yasuaki Shimizu | D Minor | 2 | 7A | 59 BPM | ||
| The Day After | Roger Eno | D Minor | 0 | 7A | 77 BPM | ||
| 7° 10° 77° 83° | Celer, Forest Management | E Minor | 0 | 9A | 140 BPM | ||
| Para Que Pasen Las Termitas | Orquesta de las Nubes | B Minor | 1 | 10A | 93 BPM | ||
| Old Land | Eno Moebius Roedelius | G Major | 0 | 9B | 171 BPM | ||
| Across the Lake of the Ancient World | Terry Riley | B Minor | 1 | 10A | 55 BPM | ||
| Watermusic II: Section I | William Basinski | F Major | 0 | 7B | 72 BPM | ||
| Forest Run | Joseph Shabason | E♭ Minor | 3 | 2A | 80 BPM | ||
| Seiko 3 | Yasuaki Shimizu | A Minor | 1 | 8A | 132 BPM | ||
| Snow Stills | Cass. | A♭ Major | 2 | 4B | 88 BPM | ||
| The Arrow of Time: Agitato | Peter Michael Hamel, Daniela Ruso, Jaroslav Krcek, Capella Istropolitana | E Minor | 0 | 9A | 90 BPM | ||
| Let it Play: Let it Play: Part I | Peter Michael Hamel | D Minor | 2 | 7A | 119 BPM | ||
| Feedback Zwei | Keith Fullerton Whitman | D Major | 0 | 10B | 0 BPM | ||
| Glass Chattering | 尾島由郎 | E♭ Minor | 1 | 2A | 73 BPM | ||
| Comma | Christine Ott | E♭ Major | 1 | 5B | 71 BPM | ||
| In Blue Unsure Dawn | Slow Attack Ensemble | E Minor | 2 | 9A | 72 BPM | ||
| Reflection Pool | His Name Is Alive | D Major | 4 | 10B | 140 BPM | ||
| In Motion | Ann Annie | E Major | 1 | 12B | 87 BPM | ||
| Innerstes Du: III. Innerstes Du | Peter Michael Hamel, Janja Brlec | D Minor | 1 | 7A | 79 BPM | ||
| Quiet Space Pt.2 | Jonathan Goldman, Laraaji | D♭ Major | 0 | 3B | 73 BPM | ||
| Seiko 2 | Yasuaki Shimizu | F Minor | 3 | 4A | 88 BPM | ||
| Touch me & die | Kara-Lis Coverdale | F♯ Major | 2 | 2B | 180 BPM |