Freddy Martin & His Orchestra's ' "To Each His Own" was released on its scheduled release date, April 1, 1997. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 10 in Best Big Band Era - 1946 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. To Each His Own is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of To Each His Own by Freddy Martin & His Orchestra is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| From the Canebreak | Samuel Gardner, New Light Symphony Orchestra, Albert Sandler, Alfred Newman, Carroll Gibbons, Charles Williams, Christian Chevallier, Cyril Ornadel, Frank Cordell, Freddy Martin, Harry Hermann, Henry Hall, Jack Hylton, Jack Leon, Laurie Johnson, Mario 'Ha | B♭ Major | 2 | 6B | 65 BPM | ||
| Strike Zone | Loverboy | C Major | 7 | 8B | 130 BPM | ||
| Sunrise | Carmine Coppola | E♭ Major | 1 | 5B | 68 BPM | ||
| Blow, Blow Thou Winter Winds | Bob Crosby & The Bob Cats | B♭ Major | 3 | 6B | 120 BPM | ||
| Right Here, Right Now | Carlos Zatch | E♭ Major | 4 | 5B | 123 BPM | ||
| Wien Bleibt Wien / 'Vienna Forever Vienna' | Andrew Pilmer | D Major | 3 | 10B | 145 BPM | ||
| Here's the key to my heart | Freddy Martin & His Orchestra, Freddy Martin, Alice Faye | C Major | 3 | 8B | 82 BPM | ||
| Breakdown | John Harrison | A Minor | 2 | 8A | 135 BPM | ||
| Batman, Wolfman, Frankenstein Or Dracula | The Diamonds | F Minor | 7 | 4A | 138 BPM | ||
| Dancing in the Moonlight | Rudy Vallee and His Connecticut Yankees | B♭ Major | 3 | 6B | 120 BPM | ||
| You're the Cream in My Coffee | Annette Hanshaw | G Minor | 1 | 6A | 143 BPM | ||
| Shootout | Daniel Lopatin | F Major | 4 | 7B | 87 BPM | ||
| 'Tis Autumn | Les Brown | C Major | 1 | 8B | 86 BPM | ||
| You Ought to Be with Me | Carl Weathers | A Minor | 4 | 8A | 137 BPM | ||
| Too Late for Tears | Andrea Litkei, Ervin Litkei | C Major | 4 | 8B | 100 BPM | ||
| In Mid Air | The Sea Shall Not Have Them | G Major | 9 | 9B | 91 BPM | ||
| In the Middle of May | Freddy Martin & His Orchestra | F Major | 3 | 7B | 139 BPM | ||
| Carnival Day (02-?-50) | Dave Bartholomew | B♭ Major | 7 | 6B | 124 BPM | ||
| Ben Hur Chariot Race | Paul Eakins | G Major | 5 | 9B | 131 BPM | ||
| Shadow Waltz | Rudy Vallee and His Connecticut Yankees | B♭ Major | 3 | 6B | 120 BPM | ||
| 11:60 P.M. (with Harry James & His Orchestra) | Kitty Kallen, Harry James | F Major | 2 | 7B | 121 BPM | ||
| In Transit to Bermuda | Dorian Zero | C Major | 3 | 8B | 147 BPM | ||
| Lend Me Your Comb | Carl Perkins | B Minor | 4 | 10A | 151 BPM | ||
| Ain't We Got Fun | Bob Hope | B♭ Major | 2 | 6B | 76 BPM | ||
| The Captain MET Theme: I Like Expensive Things | Captain MET | D Major | 6 | 10B | 139 BPM |