Víctor Reyes's ' "Me llamo Julián" was released on its scheduled release date, October 31, 2024. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 21 in Escape (Banda Sonora Original) by Víctor Reyes. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Me llamo Julián is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Me llamo Julián by Víctor Reyes is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tournament | Ilan Eshkeri | D Major | 3 | 10B | 134 BPM | ||
| Qui tacet,consentire videtur | Corpus Dominix | C Minor | 1 | 5A | 100 BPM | ||
| Jakob & Bella Escape | Rachel Portman, Jon Ehrlich | G Minor | 1 | 6A | 82 BPM | ||
| The Fountain Of Youth | Chris Benstead | B♭ Major | 0 | 6B | 177 BPM | ||
| Decepciones | Verdes Atardeceres | D Major | 3 | 10B | 200 BPM | ||
| Guerras Familiares | Bulruk | E Minor | 3 | 9A | 100 BPM | ||
| Above All | Mandy Marshall, Mandy Obnorz | A♭ Major | 3 | 4B | 103 BPM | ||
| Devotion | Chanda Dancy | E Minor | 0 | 9A | 89 BPM | ||
| Marion Looks for Rob | Joseph Trapanese | G Major | 0 | 9B | 67 BPM | ||
| A Quiet Voice | Harry Gregson-Williams | D Major | 2 | 10B | 88 BPM | ||
| Go Home It's Late | Nicholas Britell, Caitlin Sullivan | G Major | 1 | 9B | 103 BPM | ||
| A Boy Who Could Fly | John Powell | C Major | 4 | 8B | 94 BPM | ||
| Clues | Carlos Rafael Rivera | E♭ Minor | 2 | 2A | 93 BPM | ||
| London Suite In C Major | Junkie XL | F Major | 6 | 7B | 86 BPM | ||
| Logo And Prosper | Michael Giacchino | B♭ Major | 0 | 6B | 129 BPM | ||
| The Final Act | Pinar Toprak | F Major | 4 | 7B | 98 BPM | ||
| Rainy Mountains | Farid Puber | F Major | 4 | 7B | 130 BPM | ||
| Adieu Athos | Guillaume Roussel | C Major | 3 | 8B | 170 BPM | ||
| Mary Meets Percy | Amelia Warner | C Major | 1 | 8B | 60 BPM | ||
| Decrypted | John Powell, David Buckley | D♭ Major | 3 | 3B | 106 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 82 BPM | ||
| Mumbo Bliver Stor | Halfdan E, Tallinn's Finest Sinfonietta | G Major | 9 | 9B | 94 BPM | ||
| Diferencias Estrechas | Hasta El Final | A Minor | 3 | 8A | 108 BPM | ||
| The Heath | Dan Romer | A♭ Major | 1 | 4B | 75 BPM | ||
| Rescued | Mac Quayle | G Major | 9 | 9B | 94 BPM |