Daisy Lombardo, Chino Laborde's ' "Pastora" was released on its scheduled release date, December 2, 2023. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Pastora's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Ofrenda". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Argentina. In terms of popularity, Pastora is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Pastora by Daisy Lombardo, Chino Laborde having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Siempre Se Vuelve a Buenos Aires | Mariana Quinteros, Anibal Berraute | C Minor | 3 | 5A | 126 BPM | ||
| Gota de lluvia - Misteriosa buenos aires | Orquesta Típica Misteriosa Buenos Aires | A Major | 3 | 11B | 166 BPM | ||
| Quizás, quizás, quizás | Juan Ramos, Facundo Torres, Benjamin Sebban, Ana Karina Rossi, Jaime Flores Caceres, Santiago Quagliariello | E Minor | 3 | 9A | 87 BPM | ||
| Aquí y ahora | Fabio Hager Sexteto, Daniel Viacava, Pablo Araujo, Javier Waintraub, Damián González Gantes, Julián Arellano | D Minor | 7 | 7A | 116 BPM | ||
| Marioneta | Anibal Troilo y su orquesta, Floreal Ruiz | F Major | 3 | 7B | 121 BPM | ||
| Milomba | Orquesta Típica Andariega | G Major | 5 | 9B | 103 BPM | ||
| Sur | Nelly Omar | A Minor | 3 | 8A | 115 BPM | ||
| La Mentirosa | La Santa Calavera, Roberto Decarre | G Major | 4 | 9B | 118 BPM | ||
| Ritmo de los Malditos | Breneli R | A Minor | 3 | 8A | 121 BPM | ||
| Te Llaman Malevo | Rubén Juárez | C Major | 5 | 8B | 113 BPM | ||
| Özleyiş | Ortaç Aydınoğlu, TangEsta | E Minor | 4 | 9A | 136 BPM | ||
| Espejos Rotos | TITANES RM | C Minor | 3 | 5A | 116 BPM | ||
| En Cada Mirada | Sexteto Milonguero | C Major | 4 | 8B | 94 BPM | ||
| Porteño y Bailarín | Carlos Di Sarli y su Orquesta Típica, Mario Pomar | F♯ Minor | 2 | 11A | 108 BPM | ||
| Y No Le Erré | Alfredo Belusi | G Major | 5 | 9B | 147 BPM | ||
| Sin Estrellas | Nina Miranda, Donato Racciatti y Su Orquesta Típica | A Minor | 5 | 8A | 126 BPM | ||
| Paciencia - Remastered | Héctor Varela, Rodolfo Lesica | A Major | 3 | 11B | 130 BPM | ||
| Quiero Verte una Vez Más | Pablo Ramos & los Herederos del Compás | F♯ Minor | 5 | 11A | 130 BPM | ||
| Sin lagrimas | Jorge Valdez | B♭ Major | 3 | 6B | 129 BPM | ||
| Y No Puedo Olvidarte | Fernando Serrano | A♭ Minor | 4 | 1A | 112 BPM | ||
| Quinto año | Guillermo Galvé | C Minor | 3 | 5A | 116 BPM | ||
| Arrepentido (From | Orquesta Roberto Firpo, Carlos Varela, Rodolfo Sciammarella | A Major | 3 | 11B | 150 BPM | ||
| Una Lagrimita | Héctor Varela | F Minor | 7 | 4A | 97 BPM | ||
| Chiqué | Orquesta Típica Sans Souci | G Minor | 3 | 6A | 129 BPM | ||
| Mimi Pinson (with Gran Orquesta Típica OTRA) | Omar Mollo, Gran Orquesta Típica OTRA | G Major | 4 | 9B | 102 BPM |