Dharampreet's ' "Gori Vihni" was released on its scheduled release date, May 1, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Saun Dian Chharhian". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. The popularity of Gori Vihni is currently not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Gori Vihni by Dharampreet having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Telephone | Anmol Virk | B Minor | 8 | 10A | 130 BPM | ||
| Yaar Tera | Harpreet Dhillon | B♭ Minor | 9 | 3A | 174 BPM | ||
| Rukh | Dharma | D♭ Major | 7 | 3B | 78 BPM | ||
| Gairan Naal Peengan Jootdiye | Manmohan Waris | F Minor | 7 | 4A | 150 BPM | ||
| Chalaaki | Sucha Yaar | D♭ Minor | 5 | 12A | 140 BPM | ||
| Teri Yaad Aai | Preet Brar, Miss Pooja | D♭ Minor | 8 | 12A | 136 BPM | ||
| Sachi Hoi Jwaan | Nachatar Gill | B Minor | 10 | 10A | 138 BPM | ||
| Trala | Veer Davinder, Sudesh Kumari, Lal Kamal, Bhinder Dabwali | E Major | 7 | 12B | 115 BPM | ||
| Surma | Resham Singh Anmol | A♭ Major | 7 | 4B | 188 BPM | ||
| Ki Karange | Dharampreet | B Minor | 7 | 10A | 132 BPM | ||
| Shudayiaa | Veer Davinder, Sudesh Kumari | D Major | 8 | 10B | 136 BPM | ||
| Hanjua Di Jhari | Anmol Virk | B♭ Minor | 8 | 3A | 87 BPM | ||
| Rooh | Karamjit Anmol | D Major | 9 | 10B | 136 BPM | ||
| Bahuteyan Pyaran Waliye | Hardeep Cheema | D Major | 4 | 10B | 111 BPM | ||
| Yaari Tutgi | Kartar Ramla | G Major | 8 | 9B | 172 BPM | ||
| Mundri | Deepak Hans | D♭ Major | 9 | 3B | 146 BPM | ||
| Viah Karva Baithi | Didar Sandhu, Amar Noorie | F♯ Major | 8 | 2B | 113 BPM | ||
| Sardar | Maninder Manga | E Major | 9 | 12B | 104 BPM | ||
| Chhad Ke Najavin | Amrita Virk | C Minor | 6 | 5A | 81 BPM | ||
| Parhke Purane Khat | Deep Dhillon, Sudesh Kumari | F♯ Major | 7 | 2B | 136 BPM | ||
| Rab Varga Si Tera Yaar | Durga Rangila | B♭ Minor | 7 | 3A | 132 BPM | ||
| Pat Liya Put Sardaranda | Surinder Shinda, Gulshan Komal | G Major | 7 | 9B | 119 BPM | ||
| Wasiyatnama | Amar Arshi, Sudesh Kumari, Narender Jyot | B♭ Minor | 7 | 3A | 174 BPM | ||
| Tehrveen Jamat Wichon Fail | Muhammad Sadiq, Ranjit Kaur | A Major | 8 | 11B | 100 BPM | ||
| Kothi | Surjit Bhullar, Sudesh Kumari | F♯ Major | 10 | 2B | 120 BPM |