- BPM
- 136
- Key
- D Major
- Camelot
- 10B
3rd Odalisque Female Variation by Adolphe Adam, MetodoVadim Song Details
On June 1, 2019, the song "3rd Odalisque Female Variation" was released by Adolphe Adam, MetodoVadim. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in MetodoVadim's "Greatest Classical Ballet Female Variations" album is number 3 out of 12. Based on our statistics, 3rd Odalisque Female Variation's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
We consider the tempo marking of 3rd Odalisque Female Variation by Adolphe Adam, MetodoVadim to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
Music Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -16.018 dB
- Acousticness
- 87%
- Danceability
- 59%
- Energy
- 20%
- Instrumentalness
- 91%
- Liveness
- 11%
- Loudness
- 73%
- Speechiness
- 10%
- Valence
- 86%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Winter Holiday | Sound Gallery by Dmitry Taras | D♭ Major | 8 | 3B | 85 BPM | |
 | Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction | Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest | D Major | 1 | 10B | 99 BPM | |
 | Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | |
 | Locus iste | Anton Bruckner, Choir of St. John's College, Cambridge, Andrew Nethsingha | B Minor | 1 | 10A | 137 BPM | |
 | Raymonda, Act I: Introduction (Moderato poco piu mosso) | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | C Minor | 1 | 5A | 169 BPM | |
 | The Last Rose of Summer (Irish Suite IV) | Leory Anderson and His Orchestra | A Major | 0 | 11B | 168 BPM | |
| Raymonda, Act I: Variation 3 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | G Major | 1 | 9B | 82 BPM | |
 | Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | |
 | Intermezzo sinfonico, from Symphonic Poetry | State R&T Symphony Orchestra Moscow | F Major | 3 | 7B | 79 BPM | |
 | Lo How a Rose | Winter Harp Ensemble, Lori Pappajohn | G Major | 1 | 9B | 78 BPM | |
 | Ave Maria, CG 89a (After J.S. Bach: Prelude in C Major, BWV 846) | Charles Gounod, Johann Sebastian Bach, Mari Samuelsen, Julien Quentin | C Major | 0 | 8B | 88 BPM | |
 | The Ice Skater's Waltz, Op. 183 | The United States Air Force Strolling Strings | D Major | 1 | 10B | 104 BPM | |
 | Deux Arabesques, L. 66: No. 2 in G Major, Allegretto scherzando | Claude Debussy, New European Ensemble, Felicia van den End, James Meldrum, Astrid Haring, Emlyn Stam, Willem Stam | G Major | 1 | 9B | 136 BPM | |
 | Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | |
 | Mrs. Darcy - From "Pride and Prejudice" | Dario Marianelli, The Royal Philharmonic Orchestra/Nic Raine | C Major | 1 | 8B | 68 BPM | |
 | Giselle, Act 2: No. 22 Finale | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM | |
| Giselle, Act 1: No. 3 Giselle’s Entrance, Giselle and Albrecht first meet and are discovered by Hilarion | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM | |
 | Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | |
| Giselle, Act 2: No. 17 Hilarion is killed by the Wilis, Albrecht is confronted by Myrtha, Giselle enters and protects Albrecht | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM | |
 | Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | |
 | Kopenhagener Eisenbahn-Dampf-Galopp | Hans Christian Lumbye, Wiener Philharmoniker, Yannick Nézet-Séguin | A Major | 0 | 11B | 168 BPM | |
 | Oh Well - Instrumental Version | Niklas Gabrielsson with Martin Landström & His Orchestra | D Major | 2 | 10B | 72 BPM | |
 | Winter's Waltz | Vladimir Takinov | E♭ Major | 4 | 5B | 82 BPM | |
 | Sailing By | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records