"Reverie" by Trio Adagio had its release date on April 10, 2020. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. There are a total of 70 in the song's album "The Ultimate Classical Collection". In this album, this song's track order is #39. Reverie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Reverie by Trio Adagio having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Strauss, Johann II : An der schönen blauen Donau Op.314 [Blue Danube Waltz] [Excerpt] | Johann Strauss II, Armin Jordan, Basel Symphony Orchestra | A Major | 1 | 11B | 87 BPM | ||
| Scheherazade, Op. 35: No. 1, El mar y el barco de Simbad. Largo e maestoso - Allegro non troppo | Orquesta Sinfónica De Radio Ljubljana, Anton Nanut | E Major | 2 | 12B | 79 BPM | ||
| Waltz No.6 in D flat major, Minute Waltz Op. 64 No.1 | Ketevan Badridze | D♭ Major | 1 | 3B | 130 BPM | ||
| Les patineurs (Arr. C. Lambert): Pas de deux. Cantabile | Giacomo Meyerbeer, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 0 | 8B | 81 BPM | ||
| Klavierkonzert Nr. 2 c-Moll Op. 18: 3. Allegro scherzando (Auszug) (Das verflixte siebte Jahr): II. Adagio sostenuto | Sergei Rachmaninoff, Jenő Jandó, Budapest Symphony Orchestra, György Lehel | E Major | 0 | 12B | 115 BPM | ||
| Symphony No.3 in F Major, Op.90: 3. Poco allegretto | Johannes Brahms, Boston Symphony Orchestra, Bernard Haitink | C Minor | 0 | 5A | 86 BPM | ||
| Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
| Granada from Suite española No. 1 Op. 47 | Isaac Albéniz, Gonzalo Soriano | F Major | 0 | 7B | 136 BPM | ||
| Romeo & Juliet - Overture | Trio Adagio | B Minor | 0 | 10A | 74 BPM | ||
| Italienisches Konzert, F-Dur, BWV 971: I. Moderato | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | F Major | 3 | 7B | 89 BPM | ||
| Waltz In E-Flat Major, Op. 18 | Krzysztof Jabłoński, Stanislav Bunin, Evelyne Dubourg, Jean-Marc Luisada, Yuval Fichman | A♭ Major | 1 | 4B | 83 BPM | ||
| Piano Sonata No. 9 in D Major, K. 311: III. Rondeau allegro | Wolfgang Amadeus Mozart, Maria Paloma | C Major | 1 | 8B | 96 BPM | ||
| Polonaise in a Flat Major, Op. 53 | Trio Adagio | A♭ Major | 1 | 4B | 83 BPM | ||
| Dolly Suite, Op. 56 (Arr. for Piano 4-Hands): I. Berceuse | Gabriel Fauré, Pierre-Alain Volondat, Patrick de Hooghe | D♭ Major | 0 | 3B | 132 BPM | ||
| Sinfonie "The Arrival of the Queen of Sheba" from Solomon | George Frideric Handel, Victor Alexeyev, Collegium Musicum | D Minor | 2 | 7A | 157 BPM | ||
| Liszt Paganini Etude No.3 In G Sharp Minor S.141 `La Campanella` | sweet classic | C Major | 0 | 8B | 73 BPM | ||
| Flight of the Bumble Bee | Keith Blainville | B Major | 0 | 1B | 168 BPM | ||
| III. Nocturne from String Quartet No. 2 in D Major | Alexander Borodin, Saulius Sondeckis, St. Petersburg Camerata | D Major | 1 | 10B | 175 BPM | ||
| Mozart: Clarinet Concerto In A Major K.622 - Adagio | CHA Medical Center | D Major | 1 | 10B | 81 BPM | ||
| Gondoliera, From Venezia Et Napoli | Trio Adagio | F♯ Major | 0 | 2B | 74 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Hamburg State Opera Orchestra, Wilhelm Brückner-Rüggeberg | E Major | 1 | 12B | 135 BPM | ||
| Brandenburg Concerto No.3 In G Major, 1st Movement | Philharmonia Slavonica | G Major | 3 | 9B | 172 BPM | ||
| Serenade No. 5, Op. 3 | The Jane Austen Era | G Major | 1 | 9B | 95 BPM | ||
| 2 Mélodies, Op. 3: 1. Moderato assai | Anton Rubinstein, Shura Cherkassky | F Major | 1 | 7B | 75 BPM | ||
| Barber: Agnus Dei | Samuel Barber, Lawrence Foster, Monte-Carlo Philharmonic Orchestra | C Minor | 1 | 5A | 75 BPM |