Celleste Harmon's ' "Tales from the Dusted Attic" was released on its scheduled release date, December 4, 2023. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Celleste Harmon's "Keys to Calm" album is number 7 out of 9. On top of that, Turks and Caicos Islands appears to be the country where this track was created. In terms of popularity, Tales from the Dusted Attic is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Tales from the Dusted Attic by Celleste Harmon to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sans Titre (No. 44) | G. I. Gurdjieff, Thomas de Hartmann, Corinne Cordier, Fernando Del Verme | F Minor | 1 | 4A | 95 BPM | ||
| On the Path | Bruce Oscar | E♭ Major | 0 | 5B | 73 BPM | ||
| Let Me Call You Sweetheart | Piano Man Tom | A Minor | 0 | 8A | 63 BPM | ||
| Looking Around | Travis Holt | D♭ Minor | 0 | 12A | 79 BPM | ||
| Mafalda at Work | Maria Sirmione | C Major | 1 | 8B | 97 BPM | ||
| Find the Princess (From "Final Fantasy IX") | Animalisa Keys, Pablo Enver | C Major | 0 | 8B | 91 BPM | ||
| Ocean of Reflections | Nirat Nasiar | D Major | 1 | 10B | 140 BPM | ||
| 优虎加把劲 | Choiyl | E♭ Major | 2 | 5B | 117 BPM | ||
| Allegro III-Combination With Stop Time: Center Floor Technique | David Howard, Joe Cross | C Minor | 3 | 5A | 102 BPM | ||
| Neither of You | Gretchen Manor | C Major | 3 | 8B | 75 BPM | ||
| Quattro passi | Quintessential | C Minor | 1 | 5A | 160 BPM | ||
| 莫札特: C大調第二十一號鋼琴協奏曲 | 孫穎 (SunYing) | C Major | 1 | 8B | 162 BPM | ||
| 広野を行く - Piano | IKKI OGUMA | G Major | 1 | 9B | 182 BPM | ||
| Their Own Tought | Adrian Kolch | F♯ Minor | 1 | 11A | 69 BPM | ||
| Adagio. Moderate 3/4, 64 Measures, 8-8's | Finis Jhung & Bill Brown | D Minor | 0 | 7A | 207 BPM | ||
| Ronds de jambes au sol | Xavier-Edouard Horemans | E♭ Major | 1 | 5B | 89 BPM | ||
| The System Is Changed | Lucia Montagnana | A Major | 1 | 11B | 71 BPM | ||
| Syndacate | Emily Lazzarus | C Major | 0 | 8B | 80 BPM | ||
| Dancing Keys in Twilight | Celleste Harmon | A Major | 1 | 11B | 99 BPM | ||
| Plié C Minor (128) | Jack Lloyd O'Donnell, Wireless Lovebird | C Minor | 2 | 5A | 185 BPM | ||
| Feel good | Hans Clavile | D Major | 2 | 10B | 116 BPM | ||
| September (The Hunt) | Kibo Yi | G Major | 1 | 9B | 147 BPM | ||
| Schatten und Licht | Rowena St. Aubyn | D Major | 2 | 10B | 165 BPM | ||
| November (Troika) | Kibo Yi | A♭ Major | 0 | 4B | 102 BPM | ||
| Neon Heartbeats | Moogly | E♭ Minor | 0 | 2A | 130 BPM |