Harry Allen's Interactive Super Highway Phone Call To Chuck D
Public Enemy
Muse Sick-N-Hour Mess Age
2:52 August 23, 1994
BPM
103
Key
F♯ Minor
Camelot
11A

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Harry Allen's Interactive Super Highway Phone Call To Chuck D by Public Enemy Song Details

Public Enemy's 'Harry Allen's Interactive Super Highway Phone Call To Chuck D' had a release date set for August 23, 1994. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Harry Allen's Interactive Super Highway Phone Call To Chuck D's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Public Enemy's "Muse Sick-N-Hour Mess Age" album is number 20 out of 21. In terms of popularity, Harry Allen's Interactive Super Highway Phone Call To Chuck D is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

We consider the tempo marking of Harry Allen's Interactive Super Highway Phone Call To Chuck D by Public Enemy to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-13.602 dB
Acousticness
1%
Danceability
63%
Energy
77%
Instrumentalness
0%
Liveness
28%
Loudness
77%
Speechiness
31%
Valence
35%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records