Ruth Barrett's 'Nightfall' had a release date set for December 20, 2019. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Nightfall's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Sanditon (Original Television Soundtrack)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Nightfall's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nightfall by Ruth Barrett having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Queen Joanna of Castile | Chris Egan, Samuel Sim | G Major | 2 | 9B | 69 BPM | ||
| A New Generation | Max Richter | B Minor | 4 | 10A | 144 BPM | ||
| Aftermath | BBC Scottish Symphony Orchestra | G Major | 1 | 9B | 80 BPM | ||
| Frank Churchill Arrives At Hartfield | Isobel Waller-Bridge, David Schweitzer | B♭ Major | 1 | 6B | 126 BPM | ||
| They Were Starting to Like Me | David Hirschfelder | G Minor | 1 | 6A | 115 BPM | ||
| Eshkeri: Flying Vessel | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 4 | 9B | 83 BPM | ||
| Dig | Dustin O'Halloran, Volker Bertelmann, Dustin O'Halloran & Volker Bertelmann | D Major | 1 | 10B | 181 BPM | ||
| Just Words | Debbie Wiseman | A Major | 0 | 11B | 183 BPM | ||
| I Am No Longer Hungry | Steven Price | D Major | 1 | 10B | 113 BPM | ||
| Next To My Diary | Ria Mbanefo | B♭ Major | 3 | 6B | 85 BPM | ||
| Cliff Tops | Samuel Sim | F Major | 2 | 7B | 127 BPM | ||
| Sleeping Heart | Neslihan Atagoz, Telepatia | F♯ Major | 2 | 2B | 85 BPM | ||
| French Court | Ruth Barrett, Jon Wygens | C Major | 2 | 8B | 98 BPM | ||
| John And Abigail | Joseph Vitarelli | A Minor | 1 | 8A | 93 BPM | ||
| Frailty in Love | Steven Price | A Minor | 0 | 8A | 138 BPM | ||
| Oh Baltimore | Andrew Bird | G Major | 3 | 9B | 140 BPM | ||
| Never Going Back | Ari Posner, Amin Bhatia | F Minor | 2 | 4A | 95 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM | ||
| Nocturnal Acquaintance | Howard Harper-Barnes | A Minor | 4 | 8A | 150 BPM | ||
| The Loss of Yours | Adrian Johnston | D Minor | 1 | 7A | 86 BPM | ||
| 6.2 Allemande | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | D Major | 1 | 10B | 76 BPM | ||
| Beach | Dustin O'Halloran, Volker Bertelmann, Dustin O'Halloran & Volker Bertelmann | C Minor | 1 | 5A | 70 BPM | ||
| You Are Like a Dream I Had | Steven Price | E Minor | 1 | 9A | 73 BPM | ||
| Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | ||
| No Coward Soul Is Mine | Abel Korzeniowski | B Minor | 1 | 10A | 51 BPM |