Rita Reys, Rob De Nijs, Pim Jacobs Combo's ' "New Fashioned Waltz - Bonus Track" was released on its scheduled release date, January 1, 1964. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. New Fashioned Waltz - Bonus Track's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 28 in Dit Is Rob de Nijs (Remastered / Expanded Edition) by Rob De Nijs. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of New Fashioned Waltz - Bonus Track is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of New Fashioned Waltz - Bonus Track by Rita Reys, Rob De Nijs, Pim Jacobs Combo is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Early Mornings | Stardust Mirage | F Major | 1 | 7B | 63 BPM | ||
| Lamppost Base | Impression Blue | C Minor | 3 | 5A | 118 BPM | ||
| Nothing on My Mind | Mira Rae | C Major | 2 | 8B | 90 BPM | ||
| Ashes on the Floor | ZChill Jazz | B♭ Minor | 1 | 3A | 172 BPM | ||
| In The Wee Small Hours Of The Morning | Carol Sloane | F♯ Major | 1 | 2B | 172 BPM | ||
| Piazza Rain | Still Geometry Jazz | E Minor | 4 | 9A | 178 BPM | ||
| Cantina nel Vento | walkin around jazz | G Minor | 2 | 6A | 69 BPM | ||
| Mirage | Joel Evans & Friends | B Minor | 1 | 10A | 126 BPM | ||
| Varnish Sheen | JazZoo | E♭ Major | 2 | 5B | 77 BPM | ||
| Silence Loves Too | A Jazz Story | F Major | 1 | 7B | 63 BPM | ||
| There'll Never Be Another You | Rita Reys | A♭ Major | 3 | 4B | 87 BPM | ||
| Pergola Haze | Crying Mirror | B♭ Major | 3 | 6B | 115 BPM | ||
| Taking A Chance On Love | Rita Reys | A♭ Major | 3 | 4B | 87 BPM | ||
| Between The Devil And The Deep Blue Sea | Annie Ross, Gerry Mulligan Quartet | A♭ Major | 2 | 4B | 122 BPM | ||
| One Hat, Four Shadows | oAo ~ Penguin Jazz ~ | G Major | 4 | 9B | 166 BPM | ||
| Transept in Jadeite | Monochrome Silence | G Minor | 2 | 6A | 142 BPM | ||
| Watch What Happens | Morgana King | E Minor | 2 | 9A | 210 BPM | ||
| Paper Airplanes | Sherbourne Rivers | F Major | 4 | 7B | 77 BPM | ||
| Brasserie Nocturne | uuunderwater | C Major | 3 | 8B | 69 BPM | ||
| Stardust | Rita Reys, Bengt Hallberg | G Minor | 0 | 6A | 79 BPM | ||
| Copper Arcade Waltz | marss ala | F Major | 3 | 7B | 69 BPM | ||
| I've Got You Under My Skin | Alexis Cole | A♭ Major | 4 | 4B | 114 BPM | ||
| That Old Feeling | Dorothy Dandridge | C Minor | 1 | 5A | 88 BPM | ||
| The Lady's In Love With You | Annie Ross | C Major | 2 | 8B | 130 BPM | ||
| Closin Act | Tudor Brodwill | C Major | 3 | 8B | 79 BPM |